Knitting, We Got Knitting

Along with all the flying too high with some guy in the sky and eating roast pork with a fork like a dork I managed to slip in a great deal of work on Abigail's Tomten Jacket. The body and hood are complete, leaving only the arms and trim to finish.

The jacquard motifs (the demonstration is coming) have been fun to chart and work. Between the Japonaisérie kimono and this piece, which in places resembles a Persian carpet, I seem to be in the midst of an Orientalist phase. My Lebanese blood rising to the surface, no doubt.

Perhaps at Christmas I'll present Abigail with a Baby's First Hookah from the Beirut branch of FAO Schwarz.

1,000 Knitters Update

I'm pleased as punch to announce not one but two more 1,000 Knitters shoots. I simply can't get enough.

October 13: Yarn Con Chicago

I'm delighted to have been asked to participate in Yarn Con, a gathering in Pulaski Park for yarn and those who love it. There will be workshops, demonstrations, and of course a vendor's market. The vendor list is interesting; it seems that this will be a chance for a lot of smaller and/or local producers and retailers to get their stuff out there.

For more information about the event, you can visit the Yarn Con Web site.

October 26: My Sister's Knits, Chicago

And then I'll be spending a very cozy Friday evening on October 26 from 5–8 p.m. at My Sister's Knits on the South Side. I'm a north sider, so this will be a great adventure for me. (I consider Hyde Park to be downstate.)These aren't all the shoots in the works, just the two confirmed. I'm hoping take advantage of several offers to travel outside the borders of Illinois soon.

Friendly

I just realized that I had switched off the function on Ravelry that tells me when somebody marks me as a friend. So if you did so and were met with apparent stony silence, that's why. It's not because I'm an uppity, mean snob. There are heaps of things I ignore because I'm an uppity, mean snob, but Ravelers aren't among them.

Rhinebeck Blogger Bingo

I won't be at Rhinebeck, alas. But look who's been invited to be a spokesmodel for the second year in a row.

That darling Stitchy McYarnpants, who curates the Museum of Kitschy Stitches, has once again decided to host Rhinebeck Blogger Bingo. Complete, titillating details are here.

While I'm unspeakably bummed out that I won't be there, at least Dolores is getting legitimate work for a change. I asked her if there were any chance she might visit the shearing tent while she's out there and she said it depends on who's doing the shearing. Fine time for her to get fussy.

According to her whyewestillsingle.com profile, she's looking for:

• large, firm hands;
• medium-muscular to beefy builds;
• an appreciation for the pleasures of the grape and grain;
• a working knowledge of ancient Greek;
• the manual finesse of a sculptor;
• the stamina of a triathlete;
• cute toes;
  
• trust funds.
  

If you know of a shepherd with low morals who answers to this description I might get my #$%@^! roving at last.

What I Did On My Indiana Vacation

I'm back. Dolores has taken Harry and the sock yarn to Shedd Aquarium for the day (good thing they're superwash), so I have the computer to myself for a little while.

It's a Bird! It's a Plane! It's Me!

As noted in my last entry, mom and pop live in the midst of farm fields. What I forgot to mention was that they also live on on air field. Running behind the house is the grass runway for a small airport, which over the weekend hosted its annual fly-in and barbecue. This meant that on Saturday and Sunday, this sort of thing kept landing in the back yard.



Pop has been a pilot for years but only recently acquired his own plane. Where most people have a tool shed, my parents now have a hangar.

I'm not much of a flyer but I couldn't resist a quick trip. It's easy to feel secure with my father at the controls.



I sat in the back seat and took pictures.



It was a good day to fly. Indiana looks tidy from the air. Tidy and flat.



My buddy Tom,* who's something of an aviation nut, came in from Chicago to visit. Dad let him steer for a bit.



We did not plummet to earth. Way to go, Tom!

LYS Heaven

Meanwhile, the return of fall weather put my mother in the mood to pick up her knitting again. She suggested we visit a local yarn shop or two. Based on your recommendations we searched out Stitches and Scones in Westfield.

We were there for about two hours. It wasn't nearly long enough.

I kept having the uncanny feeling that we weren't in a real yarn shop, we were in some Hollywood set designer's idea of what a yarn shop ought to be: warm wood floors, honey-colored sunlight streaming in through the windows, a commodious work table and a huge central fireplace with roving hung above and spinning wheels crowding the hearth.



All around is the largest selection of yarns I've yet to see under one roof, with the exception mammoth Halcyon Yarns in Bath, Maine. The owner, Molli, has set out a range of the beautiful, the useful, and the fascinating in every price point from Plymouth and Cascade 220 to Tilli Tomas. And there's spinning stuff (wheels and roving), some weaving stuff, and a very broad book selection including (I noted with pleasure) titles from Schoolhouse Press and other, smaller publishers that don't always show up in local stores.

Mom and I were greeted cordially and I was immensely pleased that nobody assumed I was just there to hold her purse. Every member of the staff was courteous and enthusiastic. They even pulled out the Piecework trunk show (which had been packed for its next stop) so I could take a quick look at it. (And if it's coming to your town, it's definitely worth a look.)

Even though it was Monday, things were buzzing and the customers who were knitting at the work table were as friendly as the staff. Notices are everywhere about classes and groups hosted by the shop. The atmosphere is what you dream about in a yarn store. It's not just a place to shop, it's also a place to gather and learn. They're up for an award from theindychannel.com and I'm not surprised.

Prices are absolutely fair (suggested retail) and the clearance section was a treasure hunt. I don't want to start a stampede but there was a pile of deeply discounted Italian-made yarn, the name of which rhymes with "Marabella." (After we left, it was a somewhat smaller pile.) The shop has a frequent shopper discount program in which a handsome knitting bag serves as your membership card.

If you're in the area or even just passing through, the place is worth a stop. I can't wait to go back.

Tomorrow, a knitting report and 1,000 Knitters news. Right now I have to ooze over to the gym to eradicate seven days of Hoosier cuisine.

*Tom is the kind of guy who, when on vacation in Alaska, hunts down the yarn store in Ketchikan and upon finding it closed takes a photograph of the display window so you'll know he tried. Then he hunts down another shop and brings you back a copy of Arctic Lace because he doesn't knit but knows you love lace knitting. What do we think of Tom, everybody? Hmm?

Field Observer

This is a report from the Panopticon Mobile Unit, on assignment in Indiana. I arrived safely after a mostly uneventful bus ride. I say "mostly" because at one point I set aside the Tomten Jacket and took a snooze, then woke up to find my ball of Cascade 220 had jumped off the seat and rolled to the front of the bus. And then to the back of the bus. And then to the front of the bus. And then to the back of the bus. Etcetera, until it was no longer a ball.

The lady across the aisle saw my startled look upon awakening and said, "You dropped your string."

Oh, thanks. Thanks very much.

In comments to the last post, reader Knit Wit took exception to my apparent comparison of the fine city of Indianapolis to a cornfield. I can well understand, and must clarify. Although I took the bus to Indy, it was not my ultimate destination. My parents live on the far outskirts of Kokomo, a city barely large enough to have skirts at all. This is the view from their front porch.



The views to the rear, right and left are similar. When I said I'd be reporting from the fields, I wasn't being cute. I meant I'd be reporting from the fields. Mind you, the farmer went and rotated the crops on me so instead of corn fields they're bean fields. I swear there was corn there last year.

I've done a bit of knitting since I arrived but not much, as there's a great deal of work around the house to help with. In return, my father has promised before I leave to photograph the steps in working Garter Stitch Jacquard. His help is vital, since of course one can do many things while one is knitting but shooting photos of my own hands at work is beyond my present capabilities.

This is not to say there has been no time for fiber-related excitement. Au contraire. On the first night I was here, the neighbors dropped by as they often do of an evening in Mayberry, and said they'd be bringing by an "old piece of junk" from the garage for me to look at.

This is what showed up the next morning.



I almost passed out. On closer inspection, I was fairly stunned. The entire flyer mechanism, including an original bobbin, was intact. Dirty and beat up, but intact.



In fact, aside from the distaff and a few pegs the only thing missing was the footman. The wheel is out of true and has a clumsy repair to the rim, but the spokes and joins are still tight.

Several hours, much love and a bottle of lemon oil later, here's what they have.



Since I took this picture, the owner has made up a beautiful new footman out of oak. I've attached it and the wheel runs perfectly. They'll be getting it back along with instructions for future preservation, and a warning that if it ever sees the inside of the garage again I will make a citizen's arrest and place the wheel in foster care.

Someday perhaps there will be courses in proper wheel parenting in the schools. Until then, we can but be vigilant and save those that chance to come our way.

She's Baaaack and I'm Gone

One thing I'll say for Dolores–the grass never grows under her feet. She's been fairly mum about exactly what happened on the tour, although she did confide over an evening cosmo that once the balance sheet was totted up she'd turned a profit of $147.46, not counting tips.

I admitted that I was impressed she'd ended in the black, given the costs of touring with a large troupe and the specialized appeal of her somewhat esoteric act.

"It's all in how you spin it, cupcake," she said. "When you've been in the industry as long as I have, you learn it's not what you got in the box, it's how you wrap it up. I may not be your typical pre-packaged Hollywood bimbo but I know how to bring the boys to the yard."

"Plus it helped that in Peoria they paid us $100 to get out of town," said Harry.

Whereupon there began a heated discussion, and I withdrew to my bedchamber.

More Baby Knitting

In my ongoing quest to earn for Abigail the title of World's Most Knitted-For Niece, I've started an Elizabeth Zimmermann Tomten Jacket. It's in three of her books: Knitting Workshop, Knitting Without Tears, and The Opinionated Knitter.

This is another of Elizabeth's patterns that, like the Baby Surprise Jacket, has become a classic and for good reason. The design is so ingenious that simply by changing your gauge you can size the thing to fit everybody from infant to adult. Sewing up is minimal. The possibilities for modifying to suit your taste or needs are myriad. The finished product scores in the highest percentile of the adorability scale. What's not to love?

Abigail's Tomten will definitely have a hood. And to jazz it up, I'm also throwing in color patterns. Now, like much of Zimmermann's work the piece is done entirely in garter stitch, which is often striped but seldom in my experience worked with frequent color changes within a single row.

But I knew there must be a way. And sure enough, dear Montse Stanley in the Reader's Digest Knitter's Handbook has it: Garter Stitch Jacquard.

I can't offer a detailed explanation this morning, as I'm off to visit my folks in Indiana in an hour or so. But here's a photograph to show you the stylized leaves around the lower edge of the jacket.



I enjoyed this so much, I'll work up a demonstration/description of how it's done over the next day or so.

But first, I have a date with a Megabus to Indianapolis. Over and out, friends, until I report from deep in the cornfields.

A Queen with a Full House

I was jolted out of a sound sleep last night by the sound of the key in the front door. There are only two copies of that key around.

There was a groan as the door opened. Sounds of scampering and dragging, then a loud bang and a crash followed by a familiar voice letting forth a stream of groggy but pointed invective.

"Sorry, Dolores," said Harry. "One of the guys lost his grip on the microphone stand."

I considered getting out of bed to say welcome home.

"If that stand is broken," grunted Dolores, "I'm holding you responsible for the damages. And if this leaves a scar, I'm going hold you under water until you felt."

"I'll get you an ice pack," said Harry. "Hey Stan, go get some paper towels and try to get the blood out of the rug, okay?"

I decided to stay in bed.

This was the scene this morning.



Half of me wants to hear how the tour went. The other half wants to pack a suitcase and move out before they wake up.

Baby Knitting

I finished the collar on the Debbie Bliss baby kimono. I finagled with the needles a bit to tease out the points on the ends. I think it adds to the "They call me Shanghai Lily" appeal of the garment. All I have to do now is sew in the sleeves and I can start embroidering. Yum.



Ravelry

I'm so impressed. They really are doing a splendid job of creating a Web space that meets the needs (and wants) of knitters. Even in beta form, it's easy to use and the bugs I've encountered have been minor. I got a warm welcome from the Dolores Devotees group and have spent some time loading in projects.

My favorite feature so far? The ability to see what others have done with particular patterns and yarns. Therein, for me, lies the potential for hours (hours, hell–days) of lost time. Some of the forums are interesting, too, but I can promise you this blog will still be the place I mouth off the most.

If you want to say hey, my user name is franklin. I considered calling myself StitchStallionChicago, but it seemed potentially misleading. I don't own a horse.

Dignity and Repose

The Loopy Yarns anniversary party, at which I photographed a further forty or so knitters for the 1,000 Knitters Project, was a quiet affair. Vicki Sayre, the foundress of our feast, served cucumber sandwiches and tea to the delicate strains of a string quartet. Guests bent gracefully over their projects, nimble needles flashing in the candlelight, as they spoke in hushed tones of motherhood, duty, and patriotism. At intervals, members of the staff mounted the daïs to read aloud from volumes of Improving Verse or lead us in such old favorites as "Onward, Christian Soliders" and "The Battle Hymn of the Republic."

Or not.

While there was not, as I had predicted, a naked conga line around the block, this was the first public shoot at which not one but three models offered to remove their tops. (I declined.) At times it was all a bit much for a humble naïf from the Pennsylvania hill country, but I managed to escape with my virtue mostly intact. Thank goodness for my old-fashioned upbringing, is all I can say.

Here are six of the newest additions, chosen at random. It was a delight to meet you all–or see you again, as the case may be.



Before the evening wrapped up, Vicki (seated, center) and her acolytes graciously posed (fully clothed) for a group portrait.



There's no pretending that in the yarn business, fair prices and a good selection are important–but the personal touch is what puts a place over the top. Vicki knows it, and it was evident from the joyful tenor of the evening that in running her shop she has also created a terrific sense of community among her customers. It came across in the photographs, and I'm grateful.

Happy Anniversary, Loopy Yarns, and many more.

Knitting Notes

I don't want Abigail running around naked during the cold months in Maine, so I felt compelled to make her the kimono from Fancy-Ass Knits for Spoiled Rotten Babies by Debbie Bliss. (I'm not certain that's the exact title, but it's close enough.) The various pieces are all blocked and are drying on the living room floor. Here's a scintillating view of the lower corner of the right-hand front.



If the yarn looks at all familiar, it's because both colors were also used ages ago in the Seneca Sweater. I think the mauve (Jo Sharp DK) will look fetching on her. The kimono itself is so simple that frankly it'd be a bore to knit if it weren't such a tiny thing. What will give it va-voom is the embroidery. Debbie calls for demure little daisies, but I'm thinking of something a touch more exotic with a whiff of 19th century Japonaiserie about it. Something she can throw on when there's not much to do but recline on the Turkish cushions in her nursery and smoke Gauloises in the silver cigarette holder Dolores sent for the christening.

I'm also working down the leg of the second of a pair of cabled socks and clicking along a piece of lace. However, all may stop dead for a little while because...

I got my Ravelry invitation this morning.

BANZAI!

Bits 'n' Bobs

I got photographs from Susan of Abigail in her Tulip Jacket. Already she combines the verve of Suzy Parker and the emotional versatility of Lisa Fonssagrives.



Tour Swag

Those of you who haven't caught Dolores and Her Ball Band on the road can now pick up souvenirs (posters, bags, shirts and such) in the shop.

Loopy Yarns 1000 Knitters Shoot

Just a reminder that I'll be shooting for the project at Loopy Yarns during their anniversary party this Friday evening, September 7, from 5 pm to about 8:30 pm. If you'd like to participate, there's no need to sign up in advance, just be there and be ready to knit. If you haven't already done so, please check out the Information for Knitters page on the project blog.

I notice in the Loopy Yarns blog that they're having a 20% off sale on Mirasol Yarns from Peru on that day. Hmm.

A Question Answered

This is from way back. Reader Tami was curious about the children's books pictured along with the Tulip Jacket. They are:

• Lullaby-Land by Eugene Field
• Cinderella and Other Nursery Stories (in an edition by F. Warne & Co., circa 1900)
• Merrie England by Grace Greenwood
• A Little Garden Calendar, an utter horror perpetrated by Albert Bigelow Paine
• The Children's Book of London by G.E. Mitton

I have to share the inscription written in a very tight, precise hand on the half-title page of the last:

To Elizabeth and Sidney - To recall a delightful Noël in London and the affection and best wishes of their friend and Rector. 1905. N.D. Moxon

The Glamorous Life

Dear Franklin,

Hi it's Harry. I am writing from somewhere on the road, I am not sure where exactly but I think we are still in Illinois. We are all okay except Stan who got stepped on when we were in Marengo and Dolores had a wardrobe malfunction and it got kind of wild and somebody called the police and we spent part of the night in jail, and Stan got into a rumble with this guy named Fang and then they had to put us in a special cell all by ourselves except for this ball of acrylic worsted that was in on a charge of public lewdness.

Dolores said not to worry that all the big celebrities are having criminal records now like Paris Hilton and it's just a normal part of show business like having your breasts done or sleeping with Julia Roberts.

So far the show is a hit I think but we changed a few numbers like the Tribute to the Moulin Rouge because Victorine said the can can is not so impressive when sock yarn is doing it because we don't have any legs to kick with. While we are driving between gigs Victorine is teaching us the kind of French they speak in Canada and at first it made my throat hurt but now it's fun because I am getting so good at it I can insult filthy Anglos and they don't even know it.

I am doing very well as a performer and Dolores lets me do a solo between the first and second act and collect tips, when we played Gurnee I made $4.32. I am saving up to buy a new Kenneth Cole ball band.

Well I guess that is all for now I hope we come home soon because the food is pretty bad please say hi to Mrs Teitelbaum for me and all the neighbors. All the guys say hi and we hope you are not so lonely without us there Dolores says why don't you put down the damn knitting and try hanging out at the corner of Broadway and Roscoe in your chaps.

Your buddy,
Harry

PS Here is our tour poster please save it I want to put it in my scrapbook when we get home. I am sorry it kind of smells like a beer but so do we all right now.

Many Hands Maketh Long Scarf

I recently photographed Knitter 0119 for the 1,000 Knitters Project. You may have heard of her: Charlene Schurch, author of Sensational Knitted Socks and More Sensational Knitted Socks, et al. If you've been hanging out in here for a while you know I'm sort of That Way about Charlene, so having her in my living room was quite an event. I gushed and burbled, and we talked, and then at last I did get around to taking her picture. And she kissed me.

Burble. Giggle.

(No, that's not Charlene at right. That's Sheila, Number 0041. Hi, Sheila!)

Those of you who've sat for me (or who are planning to) might be interested to know that in addition to Charlene a number of other noted hands have worked their rows on the scarf, including Karen Frisa, Joan Schrouder, Leslye Solomon, Beth Brown-Reinsel, Sally Melville and Nancy Bush.

I love chatting with the knitters while I photograph; it's one of the best parts of the project. But shooting folks whose work I have admired from afar can be a little daunting. You can't break the ice with Nancy Bush by asking, "So, what do you like to knit?"

There have been several calls for 1,000 Knitters swag (t-shirts, bags and so forth) in the shop. At first I hesitated; but then I realized that I could put money from sales towards the expenses of the project, which are considerable. Watch for news of additions to the shop in the next week or so.

In the meantime, sitters who keep a blog might like to help themselves to a blog button, with my compliments and thanks. It's a mere token, but I hope you will like it.



Shooting at Loopy Yarns

I'm pleased to announce another public shoot in Chicago, this time at Loopy Yarns (719 South State Street). The atmosphere should be akin to Carnival in Venice, as on the same evening (Friday, September 7; hours TBA) they'll be celebrating their second anniversary. I foresee a naked conga line of yarn-wielding hooligans snaking around the block before the party is over. You know what those people at Loopy are like.

Mo' Mobius

The Cavalcade of Completion continues with Mom's Möbius. It has the distinction of being the only thing I've ever finished twice. I gave it to her (off the needles, thank you very much) for Christmas, but have just added an additional 10 inches to give it the looser fit she prefers.

(Why yes, I do know that Christmas was in December and that it's now August. Would you like to step outside and discuss it?)

If you aren't familiar with the möbius you can read about it here. At the moment it's all I can do to recite my phone number, let alone explain The Riddle of the Universe.

These days I suppose Cat Bordhi is the name most associated with möbius knitting, but it's generally accepted that Elizabeth Zimmermann was the first person to work the concept into a design. If you check out Knitting Around (and you should, it's a delicious read) she uses it to create a scarf, a vest, and a jacket. This möbius is a descendant of Elizabeth's, and the designer gives her due acknowledgment.

Project: Magic Mobius

Designer: Susan Levin for Knit One, Crochet Two

Yarn: Douceur et Soie (silk/baby mohair) in colorway The Hell If I Remember

Needles: US8

Notes: I picked this out for my mother because she hates wearing hats (they crush her hair) and scarves (they bind her around the neck) and I worry about her catching a chill. The möbius, when properly worn, elegantly covers both those areas without choking or flattening, especially when knit up in something as feathery light as this yarn. And in spite of the light weight, it's surprisingly warm.

It's a very pleasant knit, a worthy variation on Zimmermann's original, and Susan Levin has incorporated a very clever edge treatment that doesn't interfere with the diaphanous look but does give the selvedges a little extra body.

Now you have no excuse, Ma. Put something on your head before you catch pneumonia. You think I don't know when you're cold?

Portrait of a Photo Shoot

So, I have this little album devoted to photos of my niece, Abigail. I call it the Abigallery. If you visit my apartment for longer than thirty seconds you will probably have it thrust under your nose. It's not that I'm a proud uncle. It's just that she is an exceptional child in every way.

This morning I've been adding prints to the book, and I ran across the shots from an impromptu family portrait session we did the week after she was born. We did it in the nursery using ambient light, with everybody in denim and pale cottons for a soft, relaxed look. Abby is the first WASP baby in the history of my family (okay, she's half-WASP) and so the Ralph Lauren/Town and Country vibe seemed appropriate.

With an unpredictable subject like a baby, you can't plan your shots too much. You clear the space, set up the lighting to be as all-purpose as possible, and go with the flow. And I find it best to shoot the same way I shoot rodeo: keep the camera to your eye and your finger on the shutter. Good moments are fleeting.

I'm usually not one for conventional, posed groups, but I figured they might be more to the taste of the grandparents and so we started out with a few of those.



What I really wanted, though, was something slightly more unusual so I asked Susan and Phil to lie down on the floor with Abby and just cuddle up together. I shot them from above, and caught some fun vignettes like this.



Getting them out of the rocking chair and into a playful position led to the sort of spontaneity that I generally prefer to formality.



However, at one point I did get the idea to have Abigail lay in a niche created by Susan and Phil's bodies. I wanted an image of her surrounded and protected by her parents, and with their cooperation I got something akin to what I'd imagined.



But I'm almost as fond of this misfire, which happened when I accidentally tripped the shutter while adjusting my position.



Abby, honey, I know from the look on your face exactly what you're thinking. And I'll tell it to you plain: the bad jokes never get any better, and the older you get the weirder they're going to seem. Trust me, I know what I'm talking about.

You can always come stay with Uncle Franklin when it gets to be too much. We'll have lunch downtown and rock the shoe department at Nordstrom.

What Boys Like

Back in the spring of 2005, when this blog had only been around for about a month, I wrote a screedish little entry about how my search for a men's sweater pattern had turned up miles of Aran cables and acres of Fair Isle, but nothing I felt would suit a fellow in my particular (urban, gay, young[ish]) circumstances.

"The knitting fad," I huffed, "has brought out shelves full of pattern books for the young urban female knitter. So how much longer do the guys have to wait, dammit?"

I think the wait is over.

I've just spent a pleasant couple of hours sitting with Kristin Spurkland's The Knitting Man(ual), a copy of which was sent to me for review by the publisher, Ten Speed Press. This is the book I had in mind when I wrote that early complaint; and a solid piece of work it is, too.

In putting her book together, Spurkland and her publishers have taken obvious care to appeal to a male audience without condescension. The look is sharp and decidedly masculine, with clean typography and subtle blocks of color. Refreshingly, however, there is no reliance on cheap macho stereotypes: no army camouflage, no grunge typefaces, no evocation of the car repair manual aesthetic. The handsome photography by John Valls, which includes a wide range of races, ages, and body shapes, is beautifully executed and shows off the projects to perfection.

And the projects themselves (there are twenty-two) are on the whole a well-edited and attractive lot. The first is a ribbed and cabled throw; the others are all for garments, including hats, gloves, mittens, socks, and several sweaters. All have their good points and some are perfectly delicious. Only two (house slippers with weird toes and a schlubby color block scarf) miss the mark entirely. Paging through the rest afforded me the pleasure, never before enjoyed, of finding in one volume six different projects I'd like to knit for myself. The previous record, in case you're wondering, was two.

For true beginners, there's the usual introductory section of techniques–illustrated with photographs of male hands. This would be a perfect gift for a guy newbie, as the projects range from very simple to moderately complex. I could well imagine it providing impetus enough to keep his needles clicking until he's past the Point of No Return.

The only thing not here that I'd like to see is some discussion of male fitting issues. And yes, ladies, male fitting issues do exist. Not all shoulders are created equal, to say nothing of chests and stomachs. Perhaps in volume two? (Hint, hint.)

In 2005, knitting books occupied about six inches of space on my bookshelves; now they take up five feet or more. I own more than enough books on knitting technique, design, and history. My need for The Knitting Man(ual) is perhaps not so vital as it once was, but I'm still awfully happy to find it at last.

Renovations Continue

Thanks for the positive feedback on the recent design changes. I'm still working on them, so certain features (like my blogroll) aren't in place yet. All in good time.

Excuse the Dust

Dolores is off to Kankakee and I have a bit of free time on my hands, so I'm engaging in some long-overdue renovations to The Panopticon's layout. During this period you may become disoriented or frustrated. You may find yourself unable to locate things that were right here just a moment ago. You may experience nausea, dizziness, or mild hallucinations.

Welcome to my world.

Tricot Triage

The recent spate of finishing chez Panopticon continues. To be more precise, I continue to focus on finishing things.

I wish I could blame this heap of unfinished objects on spontaneous generation, or claim they were left on my doorstep in a basket with a note: "I can no longer work on this scarf. Please look after it, and finish it as though it were your own." But no. They're mine, all mine, and I take full responsibility. The only question is which to work on first.

1. Möbius scarf in Douceur et Soie. Strictly speaking, this is a finished object. But in order to fit the recipient (my mother) I need to undo the grafting and add another few inches to improve the fit. Since this was given at Christmas, and is for my mother, and next Christmas is already approaching, it may step to the front of the line.
   
   
2. Koigu vest. All I have to finish are the armscyes and the neckline. We're talking about twenty-odd rounds of k2, p2 ribbing. What happened? I took it to Knitting Camp, I finished one side, and realized I'd picked up way too many stitches. It looked dreadful. I got discouraged. Since then it has been sitting in a bowl next to my chair, mocking me.
   
   
3. Poetry mittens. I finished one cuff and then decided I really wanted to chart my own poem, not use the one in the pattern. Then I couldn't decide on a poem. Still can't. You'd think I'm engraving my own epitaph in granite instead of just knitting a stupid pair of stupid mittens. Why do I do this to myself?
   
   
4. Regicide Scarf. This one's giving me an ulcer. The yarn - Four Play from Brooks Farms, is delightful to the touch. The pattern, King Charles Brocade, makes it absolutely sing. So, what's the problem? I'll tell you. I hate knitting King Charles Brocade. And I don't mean it bores me. I mean I hate it. And not a small hate, either. A hate that burns with the heat of ten million suns. What's not to loathe about a pattern that is too simple to be interesting, yet too complicated for mindless knitting? A pattern in which it is shockingly easy to lose one's place, and in which the smallest error stands out like a pimple on the heavily insured nose of Heidi Klum? Options:

Work the final moss stitch border right now and call it done. It would be five feet long. And I would never wear it, because in a Chicago winter a cute little scarf that won't wrap around my neck and face is a waste of yarn.



Concede defeat. Rip it back and use it for something else. And remember, every time I look at it, that nothing will ever harmonize with that colorway quite so happily as King Charles Brocade. And grit my teeth. And get a headache.



Shut up and knit to the damn end of the damn ball. And risk becoming one of those people who wanders about in the streets mumbling to himself. In my case, I'll be mumbling, "Knitting is so relaxing. Knitting is so relaxing."

Tulip Jacket Yarn

Knitguyla and Kay were curious about the source of the yarn in the Tulip Jacket. The ultimate source, of course, was Dream in Color, but I got my kit (and therefore colorway) from Arcadia Knitting here in Chicago. If you order from them, note that even though I made the jacket for Abigail, I chose the "boy" colorway. I'm not a big fan of pastels, even for babies, and as I recall the "girl" colorway has a bit more pink going on.

The Imperfect Wagnerite

Christine Olea asked for my general opinion on Wagner operas. Well, I'm not a musicologist, just a garden variety opera lover, but here goes. On the one hand, there are passages in just about everything he wrote (not that I'm claiming to have heard it all) that give me shivers of delight. On the other hand, I wouldn't be excited at the prospect of sitting through all of Siegfried again. Of the bunch, my favorite is Die Meistersinger von Nürnberg, which had me at the overture. I seem to recall being thrilled at a Minnesota Opera production of The Flying Dutchman*; but I'm not sure whether the goosebumps came more from the music or the handsome fellow who invited me to go see it with him.

Among the Germans, I still prefer Mozart. More humanity, less theory.

Buddenbrooks Decoded

Yesterday's batch of comments on the mention of "crocheting with two needles" in Buddenbrooks was a delight to read and I'm grateful to everybody who chimed in. Blogless reader "aka Bini" (I believe I parsed that correctly) was first with a well-supported hypothesis, and she undertook to read a text set in 1909 German blackletter for my sake, so she gets the sketch. Bini, please write to me at franklin at franklinhabit daht cahm and let me know where to send it.

And I'd like to give an Honorable Mention, by the way, to Country Mouse, who was first to raise the idea of the crochet/knitting confusion arising from Mann's use of the unreliable narrator.

If you missed the comments, do go back and read. They went far beyond my initial question to include discussions of unusual methods of crochet and debates about what the hell a "landscape room" is. Those Germans have a word for everything.

This is a quality crowd in here, folks. No doubt about it.

*Dutchman does offer the magnificent spectacle of a stage full of spinning wheels. In a live performance, this affords fiber types the pleasure of watching members of the ensemble treadle like they're leading the Tour de France and pretending to spin finished bulky weight yarn on the flywheel. If you can find a production of Gounod's Faust these days, chances are Marguerite will give you a similar giggle while she sings "Le roi de Thulé."

Geeking Out

I don't know what's wrong with me. Maybe I'm going through a compulsive phase. Maybe I'm getting too much sleep. Maybe the Moon is in the Seventh House, strummin' on the old banjo.

For whatever reason, lately I keep finishing things.

Abigail's Tulip Jacket is complete.



All the reports you hear of this being a fun and rewarding little project are accurate. What can I say? In putting it together, Dream in Color hit all the right notes: detail sufficient to keep things interesting, yet simplicity enough to knit in public or with company. And did I mention the spectacular yarn? Do I even have to?

Is There a German in the Haus?

I'm re-reading an old favorite, Thomas Mann's Buddenbrooks: The Decline of a Family. If you haven't read it, do. It's a sort of Biedermeier soap opera, told in scenes that seldom speak above a polite murmur or move faster than a brisk trot–yet it packs a cumulative wallop that will make your ears ring.

My old copy of Buddenbrooks, a Penguin edition if I remember correctly, was lent out in college and never came home. This edition, from Vintage, is a new translation by John E. Woods and I love it. I have very little German beyond the smattering I learned during my time as an opera coach,* so I can't pronounce it faithful or unfaithful to the original; but the stumbles and bumps I recall in the older version are far fewer here.

But this really isn't a book review. I have a question, and I'm hoping a German reader (or a reader who knows German) might be able to offer an answer. At the beginning of Part Six, Chapter Four, I stopped dead in my tracks when I came to this passage:

Madame Buddenbrook happened to be sitting in the landscape room, crocheting with two large wooden needles–a shawl, a blanket, or something of that sort. It was eleven o'clock in the morning.

Huh? Crochet? With...two...needles?

What happened here? Off the top of my head, I can think of three possible scenarios:

1. Mann, who renders even the finest period details with loving compulsiveness, didn't know the difference between knitting and crochet.
   
   
2. There is (or was) a North German version of crochet that actually used two needles or hooks. I vaguely recall something of the kind in Rutt's A History of Hand Knitting, though I also seem to recall it was French or Spanish and possibly mediaeval. My 19th century dictionary of needlework hasn't turned up anything.
   
   
3. The translator didn't know the difference (or thinks there is no difference) between knitting and crochet, mistranslated the passage, and none of his editors caught it.

I'm not going to be able to sleep soundly until I have an answer. Help, please. I'll send the first person who offers a solid explanation with supporting evidence a sketch.

*And that smattering isn't very useful in a modern setting. Prior to my last visit to Eastern Europe, I told a friend who lives in Frankfurt that if I got into trouble in Vienna I knew to scream "Zu hilfe! Zu hilfe!" (Help me! Help me!), the first words of Mozart's The Magic Flute. He smirked and said that yes, that construction would be very effective if I were being mugged by a time traveler from the late eighteenth century.

The Joy of Small Things

Some projects are epics, and when they're finished you stand there blinking and thinking "I made that?"

Some projects are more of a short story, and when they're finished you regard them with a cheerful countenance and say, "I made that."

In the aftermath of Abigail's shawl I find myself not at all inclined to cease knitting lace. On the other hand, jumping right into another shawl of comparable size didn't feel right. Instead, I pulled some sock yarn out of the stash and created Altar Cloth V.2.0. (Version one, which you can see here, went some time ago to live with my grandmother in Pennsylvania. It has since converted to Roman Catholicism and now prefers to be called a doily.)

It took about a week or so, and was fun all the while. Here's the dossier on a simple but satisfying little project.



Yarn: Mysterious itchy sock yarn out of my stash. The same stuff I used to make the Orenberg sample shawl for the Knitting Olympics.

Needles: Inox US 2 3/4 straights



Patterns: The stitch motif used by Cheryl Oberle for the Kimono Shawl in Folk Shawls for the sides. In the center, the knot pattern collected in Barbara Walker's A Second Treasury of Knitting Patterns and also to be found, charted, in Meg Swansen's A Gathering of Lace.

Method: Disgustingly simple and wholly unoriginal.

1. Using a loose, stretchy technique (I did a knitted cast-on over two needles) cast on enough stitches sufficient to accommodate however many repeats of the Kimono Shawl motif you want, plus three edging stitches on either side.
   
   
2. Work six rows (three ridges) in garter stitch.
   
   
3. Commence Kimono Shawl motif, working first and last three stitches of each row as garter stitch.
   
   
4. When you've made the edge deep enough (preferably ending on a complete repeat of the Kimono shawl motif), knit two rows plain and begin knot pattern. Take care to center it perfectly.
   
   
5. When knot pattern is complete, knit one row plain and place live stitches on holder or length of waste yarn. Break working yarn.
   
   
6. Repeat steps 1-3 to create a second piece, identical to the first up to the beginning of the knot pattern.
   
   
7. Put first piece back on the second needle and graft the two pieces together using Kitchener Stitch.
   
   
8. Block severely, but with compassion.

Of course, if the Kimono Shawl motif were not directional or if I hadn't cared about making the tips of all the leaf shapes point at the central knot, I could have just knit the entire piece in one shot.

It ain't perfect. I rather wish I'd done something more with the plain stockinette areas around the knot. Perhaps in version three.

But the roughness of the yarn, which I would not have appreciated in a sock, looks well on a small, Zen altar and on the whole, I'm pleased.

So pleased that I think it's time for more lace.