Thursday, April 17, 2014

Miniature Entry: On the Loss of a Great Writer

I wish I had something poetic to say about the wonderful Gabriel Garcí­a Márquez, who has just died; but I don't.

Instead, I can tell you that in my freshman expository writing/fiction writing class at Harvard, which I hated, I once said in a discussion that I saw great similarities between the plots of "The Handsomest Drowned Man in the World" and Auntie Mame.

I did this just to provoke an aneurysm in a snooty bitch classmate from Miss Porter's. She always spoke in a breathy voice redolent of italics of her desire to "explode the confines of linear fiction," and she openly loathed me for turning in assignments that were funny. Every time one of my stories got a laugh, she would shake her Annie Hall bob in disgust and bite the end of her pen.*

It worked. She actually did get so angry she left the room. I've always been grateful to Mr. Márquez for that. And, of course, to Patrick Dennis.

This will probably be the only Márquez tribute that mentions them both.

RIP, Gabe.

Now I have to go finish roasting a chicken.

*She was also an avowed Freudian.

Saturday, April 12, 2014

Miniature Entry: Life at Sea

hemispheres

At present I am aboard the Cunard liner Queen Victoria, sailing from San Francisco to Fort Lauderdale via the Panama Canal.

If you've been reading for a long time you know I love Cunard ships, past and present. I am supposed to be having (on doctor's orders) a complete rest from work but of course you know I wasn’t going to climb aboard without any knitting.

So I've taken to doing a little in the Winter Garden, in the mornings. As you would expect, it's a surefire conversation starter. The passengers are in the main fairly elderly. I wouldn't be surprised if a few of them knew Queen Victoria personally. When she was a little girl. I couldn't be happier–this is my crowd. We tend to like the same music and the same movies.

I was clicking away a few mornings ago as we headed for Costa Rica and a flurry of tropical print hove into view. The person in the print stopped, then dropped into the next chair. She was English, ambiguously eighty-ish, artfully preserved.

"That," she said, pointing at my knitting, "is very impressive work. My father was a knitter, so I know."

Whereupon we started chatting.

She is doing the World Cruise, Southampton to Southampton. This is something like her forty-fourth Cunard voyage. (The brand breeds loyalty.)

"Of course my favorite is and forever shall be the QE2," she said. "They'll never build another like her."

I nodded. I never sailed in her, mind you. I only saw her, once, back when I was on the Minerva II and she docked beside us in Malta. I remember that seeing C-U-N-A-R-D on the side of ship for the first time gave me chills.

"But may I say something? I'm going to say something."

She leant toward me and through her dark round sunglasses I could feel her glare. "You young* people," she said firmly, "have absolutely no stamina and no idea how to have a good time. No. Idea."

I raised my eyebrows.

She pointed towards the windows above us, which belong to Hemispheres–the ship's disco. "They will close that bar tonight at one o'clock and you will all go to sleep. Ridiculous. Ridiculous! On the QE2 we never dreamt of bed before sunrise. A party every night. Until sunrise. We knew how to have a good time. You young people, I don't know what's wrong with you."

"Well," I said, "the seventies were different, weren’t they? All that cocaine would keep anybody awake."

This time her eyebrows went up. She leant even closer.

"You'd better believe it, kid," she whispered. "You'd better believe it."

 *Yes, on this ship I'm young. I'm quite possibly the youngest person aboard not scrubbing pots or being looked after by the Cunard nannies.

Note: The lady in the photograph is not the lady in the story. She's another lady, with whom I danced rather madly one evening.

Tuesday, March 18, 2014

Loretta

You may not know that the chief residents of our little household are all on Twitter. I am @franklinhabit. Dolores is @doloresvanh. Harry is @yarnpoetharry.

That was how I found out about our newest resident. She's still here.

loretta-final

Monday, March 17, 2014

Miniature Entry: Other String

I'm in Madison, Wisconsin. This weekend was the local (enormous) guild's annual Knit-In, and they asked me to come up and do a bunch of fun stuff. On Friday I gave a talk. It was all very prim, as is my wont, but they made it sound dirty.

BiuKRKMCUAA25sk

For the record, a night with me ends at about nine. Party down.

I leave for home in just a wee while but wanted to show a bit of progress with the tatting. When I remembered that dear, old Weldon's Practical Needlework had offered tatting numbers of course I had to pull them out and see if they were any good. Turns out they were.

Working in odd moments between furious, deadline-driven labor I've crept along to two-thread tatting (Some folks call it continuous tatting or tatting from the ball.) This is a Weldon's two-thread edging.

double-thread-tat

The thread (some old crochet cotton I had lying around) is really too coarse for the work and my tension is all over the place; but hey, I'm having a good time.

When I showed the first shots of my tatting I got a couple of comments–some quite concerned–that this must signal the end of my engagement with knitting. Really? Really? How? Why?

Are you afraid I'll be unable to resist the pull of the tatting market, and the legions of tatting enthusiasts who flock in their thousands to the glamorous international tatting circuit? Are you certain that within a year I'll have been put under contract to appear exclusively on one of the several tatting television series that ornament the airwaves?

This happens every time I mention a craft other than knitting.

So, to clarify.

If I write about a flirtation with crochet, tatting, weaving, embroidery, quilting, sewing, or any other fiber-y fabric-y gerund, it doesn't mean I'm jumping off the knitting ship. It means I'm looking to find out what else string can do for you. I find it refreshing. I find it inspiring. I don't believe in craft monogamy or textile purity. I'm all about seeing how techniques combine and complement.

I wrote a piece for Lion Brand Yarns about my desire to see knitting and crochet returned to their former unity. With John Mullarkey I've been mixing knitting and weaving in projects like our Ligeia Stole. And when a Madison student brought this in to show me, my heart skipped a beat:

antique-tat

She found it rolled up in her grandmother's sewing machine. On the right is a tatted chain. On the left is what the chain looks like when you complete the edging pattern with...crochet.

Mix it up. Mix. It. Up.

Tuesday, March 04, 2014

Miniature Entry: Intern

I decided that before one of this week's finished pieces goes to its forever home, it needs a little extra love. Pride in your finishing isn't everything, but it's almost everything.

I brought it with me here, to the coffee shop where I do so much work that we call it my field office. Between bouts of pattern writing I ripped out the imperfect seam and started sewing a new one.

A nice little girl, maybe six years old, came in with her mother for a hot chocolate. I liked her immediately, as you often do take to a person whose drink of choice is also yours.

As they sipped and chatted, it was pretty obvious the girl was curious about my work. The mother quietly told her to stop staring, but I asked if she'd like a closer look.

She stood at my shoulder and I showed her what I was doing with the needle. I chanted a little bit for her, the way I always do in my head when I sew by hand. Up, around, down, through. Up, around, down, through.

"Oh!" she said, after about six stitches. "I get it. You have to do it the same way, in the same places, all the way to the end. And that's how you win."

Kid, you're hired.

work

Monday, March 03, 2014

Miniature Entry: On Pattern Writing

When you design knitting patterns for multiple clients, part of the deal is sending in your finished patterns using each client's house style.

This can become confusing when three patterns for three clients all reach the finish line simultaneously.

One client insists that "inches" always be written out in full; one insists you must always use the double apostrophe (non-curly!) and never the word; the third will only accept the abbreviation "in" (no period!).

You pause in your writing, and remember a very nice student asking, "Why don't we have one standard for knitting patterns? Don't you think that would be a good idea?" and you laugh quietly and reach for the rum bottle.