Fuzzy Thinking

Hi. It's Dolores.

So, I was sitting around the other day having afternoon tea at the 'Shoe with my friend Gracie. (I know, it seems like an odd place for it, but the staff there is always quick with the teabags.)

I don't think I've mentioned Gracie before. Nice kid. We met in the fitting room at Victoria's Secret, when she diplomatically stepped between me and the saleswoman who wouldn't sell me a Miracle Bra because "the name of the garment is not to be taken literally, madam."

Bitch.

Anyhow, the least I could do for Gracie to make up for the hoof abrasions and the small bite on her left ear was buy her a drink. Over a couple of cosmos, she told me her story. And wouldn't you know, it's so similar to mine.

After they crowned her Miss Chickasaw County, she moved from Iowa to Chicago to parlay her good looks into a modeling career. So reminiscent of my own rise from a simple Vermont farm girl to the face and body of Woolrich back in the...whenever it was.

Gracie's getting a decent amount of work around town doing catalog shoots and the occasional television ad for this podiatrist who has the hots for her left foot. She really could be going places fast, except for one thing. She's dumb. As a brick. As a box of hair. As a parcel of Dubyas tied up with a Condoleeza bow.

Seems like every time we get together I have drag her perky tush out of yet another morass into which she has sailed with all flags flying. Man problems, weight problems, fine points of etiquette and wardrobe–some days, let me tell you, she's enough to give Sigmund Freud a migraine.

But I don't mind helping, because she's got a big heart to go with her big rack and she's always grateful. Like the other day, I'd helped her over a difficulty she was having with sentence structure in Cicero's speeches, and she looked over at me with those deep, brown eyes and said, Dolores, you're such a role model and inspiration. And I said, I know honey, I can't help it.

And then she said it was a shame that more people couldn't benefit from my several advanced degrees including the big-ass PhD I earned from the School of Life. And I said, honey you're so right for once.

So, in the spirit of noblesse oblige (which is French for "If you got it, flaunt it") I would like to open the floor to all those out there wandering in darkness. I got my own e-mail address and everything, it's dolores@franklinhabit.com. My faithful assistant Harry and I will consult to decide which letters I'll answer in here.

Just don't send me any naked pictures this time, got it? Not that I have an issue, but the Boss got all twitchy and shouty last time when I set them up as his screen saver.

Some people have no sense of humor.

Out of the Sketchbook

Let's Catch Up On...

Books

Your many, many reading suggestions for Violet and other teen-aged girls were wonderful and overwhelming. Both the birthday girl and her mother (who thanks you all, as do I) have read them.

I took care to indicate when inscribing Violet's books that some of the content might be a little "mature" for her mother's comfort; this seems to have had the desired result on her level of interest in them.

I needed something fun for bedtime reading, so I picked up the new Penguin edition of The Tibetan Book of the Dead. They did it up right, translating the whole megillah into English for the first time and snagging the Dalai Lama to write the introduction. Pretty cover, too.

It makes a nice counterpoint to the other thing on my nightstand–the latest volume of the Complete Peanuts series.

The older I get, the more I understand why potential husbands have often fled my presence when the conversation turned to books.

Knitting (Mine)

The new Baby Surprise Jacket is complete except for weaving in ends and choosing buttons. Pictures forthcoming. I tried something new this time, and instead of making yo,k2tog buttonholes as Elizabeth specifies, I turned to her one-row method from Knitter's Almanac. It works like a charm. By the third buttonhole, I had the method memorized. Highly recommended.

Knitting (Other People's)

I've been hearing from many the ten colleagues to whom I taught the basics back in February, and the word is encouraging. A summary:

• One has pressed onward with her scarf, refusing to rip back, amazed by the improvement in her technique since the cast-on row. She's doing very well, with even tension and neat edges. Her first ten rows or so are fascinating, as in places the results are unlike anything I've ever seen anybody create with needles and yarn. Perhaps I should encourage her to send the finished object to Debbie New for analysis.
  
  
• One threw her little bag of supplies into a suitcase at the last minute before leaving on a business trip. She was delayed at the airport for hours. She says the knitting saved her sanity. I tried not to look overly smug.
  
  
• One decided she didn't want to continue on in the yarn from the class, so she went to the yarn store and bought her own. She emerged unscathed with a bag of wool she likes very much. She's well into the second ball and can see the Promised Land.|
  
  
• The student who didn't want to put down her needles after she picked them up found somebody to teach her to purl and is now, by her own admission, addicted. She is asking questions about lace.

Okay, Headquarters: where's my toaster oven?

Podcasting

Brenda Dayne has asked for a new essay for the end of the present Cast On series, which delights me without end. I finished the first draft last night, once I pried Dolores (who was cruising Craiglist for temporary companionship) away from the computer.

A couple people have asked if I'm going to do a Podcast of my own. No plans to at present, no. It's a lot of work to do it well, and I can barely keep up with what's already on my plate. However, I've toyed with the idea of an occasional audio "supplement" to this blog, because I've been building a Podcast for my employer and have fallen in love with the process.

Movies

Following my review of 300, we learned via comments that Véronik Avery (who knew you were reading?) is not only so talented that she designs stuff like the "Salt Peanuts" sweater from Interweave Knits Spring 2004, she's also married to one of the Spartans from the film.

I could so smack her.

E-mail

I think there are about 340 people waiting for e-mail from me. Now that I'm starting to emerge from the black fog that has enveloped me for two or so months, I'm working through the pile. Your patience is appreciated with an almost weepy level of gratitude.

The Shop

I haven't had the energy to do much with the shop, either; but my ink bottle is once again full, so to speak. Watch (if you've nothing better to do) for the arrival of P2tog and some other stuff in the next week or so.

Tonight We Dine in Hell, Tomorrow We Brunch in Lincoln Park

Last night I did something completely uncharacteristic and went to the Navy Pier IMAX to see 300. Unless you count Henry V, I'd never before willingly sat through a war flick.

I'm not afraid to fight if I must, but I don't like violence and I hate war. I particularly detest the glorification of war, even at a remove of several thousand years.

So what the hell drew me to see 300?

There were many reasons.

The first: I was graciously invited by a fellow from the gym who had recommended it highly.

The second and third:



I'm not going to lie to you. If this had been a World War II picture and the soldiers were all running around France covered up in fatigues, I don't think I'd have been interested.

The official title is 300; but me, I'll always think of it as 600+. Yeah, there was occasional female nipplage, too, but I quickly figured out that if I squinted those parts just looked like a Tressamé commerical.

Before the lights dimmed, I found myself conflicted about which side to back. The intended heroes are the Spartans, of course. But my Middle Eastern ancestry gave me a certain sympathy for the Persians. I decided to withhold my allegiance until I got a look at both kings.

Leading the Spartans, you have 300's central character, Leonidas. He bears a startling resemblance to the soi-disant Mask of Agamemmnon excavated by Schliemann at Mycenae:



Leonidas is tough but tender, with great nobility of character. He also has an ass upon which one could serve breakfast, lunch, dinner, afternoon tea, and a midnight snack. (I regret that I have not a picture of the ass to show you.)

All admirable qualities, and I was prepared to root for Leonidas and His Merry Men. Then, after a bunch of fuss and botheration and decapitation, Xerxes showed up, carried in by slaves on his own traveling Ziegfeld staircase:



dressed in a get-up that was clearly an homage to supergay disco legend Sylvester:



The word "fabulous" simply shrivels and dies when confronted with such as this.

How on earth is a man to choose?

There was a too-brief moment in which it looked as though the two forces might merge


and render the question moot. But just when the wokka-chikka music should have started, somebody threw a spear or something and then Leonidas bellowed again and we were back to serial decapitations in slow-mo.

Even though I knew *SPOILER ALERT!* the Spartans were going to wind up as shish kabob, ultimately I finally found myself howling for Big Daddy Leonidas. Xerxes was a little too much the posing Pretty Boy for my taste, though I'd consider doing him in exchange for his earrings.

To my great surprise, I enjoyed 300 from start to finish. Granted, it lacks certain things. Character development, for one. And it would have been nice to see the Spartans actually making out with one another between battles. However, as my companion for the evening suggested, we have but to wait patiently for the pornographic director's cut on DVD.

As they say in Sparta, "Arrrrooooooooooooooooooo."

Le Coochie Dancer Malgré Lui

If you've been coming here for a while you know that when it comes to making good on her Big Plans, Dolores ranks somewhere between President Bush and Mr. Toad.

I've been stuck at work so much lately that home, when I was there, seemed relatively quiet and I'd grown hopeful that this, too would pass. I inquired of Harry, who answered evasively and quickly returned to the Ida B. Wells page of his Sistahs with Attitude Coloring Book.

Then, last night, I found something stuck between the sofa cushions:



I confronted the resident chanteuse with it this morning when I got home from the gym.

"I wondered what the hell happened to that," she said. "Much obliged, cupcake."

"I take it the show is still on?"

"When an artist is announced, an artist must perform."

"And you've recruited your chorus line?"

"Yeah. Didn't you read the back of the page?"

"The front was more than sufficient."

She flipped it over and held in under my nose.

"Why is my name on this list?"

"I guess I forgot to mention it. I need a novelty act. You're a little long in the tooth, but Lucky Horseshoe people told me I have to cater to all tastes. Do you still have that cop shirt Lars gave you?"

"Yes, but–"

"Fabulous, we're all set. Don't worry, I'm scheduling evening rehearsals since a buncha the other guys got day jobs, too. You know, Genghis is only five-five...how do you feel about a duo number? No tongues."

"I'm not–"

"Listen, I'd love to chat," she said, "But I have an early appointment with the costume designer. We can catch up later tonight. No, I have a date. Tomorrow night, then. Meet and greet with the other guys before the choreographer gets here. Wear something stretchy."

Anybody in the Chicago area have a spare room to rent?

Why I Am Going to Be a Lousy Uncle

I'd like to take a moment to say thank you for all the encouraging words that followed my last post. I am, you will notice, still here. I am even feeling rather better. The Baby Surprise Jacket continues charmingly. Dum spiro, spero.

The daughter of M, a dear colleague, is about to celebrate her thirteenth birthday. In celebration I went out to buy her a couple of books as a present. I've done so every year since M and I began working together. I don't often socialize with co-workers, but M is a delightful exception, and her daughter, whom I'll call Violet, is a good egg.

Until this year, choosing which books to give has been no problem. More often than not I wrapped up new copies of old favorites–Laura Ingalls Wilder, Roald Dahl–and sometimes later discoveries like Karen Cushman (author of Catherine, Called Birdy and The Midwife's Apprentice).

Thirteen is a big birthday. I decided to move out of the kid lit section and into the hitherto unexplored stacks labeled "Teen Readers." M told me that Violet is fond of Meg Cabot's "Princess" novels and so I thought perhaps I'd pick up something in that line.

An hour later, I staggered away from the "Teen" books bent double under deep misgivings about what's being fed to young readers by modern publishing. The available stock at Barnes and Noble leads me to conclude that:

1. Teenaged boys do not read books any more. If there were, let's say, 500 works in the section, perhaps ten were not explicitly aimed at girls.
   
   
2. Girls who read are encouraged to pursue one of three paths: princess, witch,* or slut. Should she find any one role limiting, she can blend them to become (for example) a slutty princess, or a royal witch.
   
   
3. Whatever she wishes to be, she is taught that life's chief goal is to get a boyfriend, whether she has to buy him (princess), put a spell on him (witch), or wiggle her skinny ass until he capitulates (slut).
   
   
4. All girls have three tools with which to nab the boyfriend: connivery, sex and submission. This last is true even if, according to Debrett's Peerage or similar, she outranks him.
   
   
5. A girl can either have the boyfriend or her own life/interests, but never the two at once.
   
   
6. Meg Cabot's idea of being a royal princess appears to be modeled on the life of Tori Spelling, except that instead of living in a big house in Beverly Hills one lives in a big house in a fictional country in Europe.
   
   
7. Most girls in "Teen Readers" books probably could not point to Europe on a map if it were lit up and flashing. But it doesn't matter, because being smart turns boys off and if you are smart, you better hide it.
   
   
8. I saw three books with non-white teen girls as their chief characters. One girl was a slave, one was marching to Selma, and one was having a baby and getting over a heroin addiction.
   

Here's what I got Violet for her birthday:

• Crowned in a Far Country: Portraits of Eight Royal Brides by Princess Michael of Kent
• Jane Eyre by Charlotte Brontë
• Nicholas and Alexandra by Robert K. Massie

None is from the "Teen Readers" section, and I'm pretty sure none is on Violet's wish list. But I figure I'm giving her two glimpses of real royal history, and the ur-Harlequin romance. I have no idea if she'll read them.

Maybe if they sit on her shelf for a while, she'll get curious and step away from the Meg Cabot.** Maybe she'll discover there's more out there than the latest crap designed to groom her as a docile consumer of The Rules, Bridget Jones, and He's Just Not That Into You.

*I don't mean a practitioner of Wicca. I mean Lindsay Lohan, but with the secret power to give her nemesis a giant zit, and make Jeremy ask her to the prom.

**I realize this is a snobbish thing to say, especially as Meg's Princess has a boyfriend and I don't. Perhaps I should read the books myself, and learn.

Solace

Since my last post, the weather in Chicago has turned freakishly warm. It's only a temporary spell, says the weatherman, but for the moment we've moved from bleak midwinter to early June.

I expected my mood my elevate with the thermometer, but it hasn't. I'm stuck in the doldrums and my head isn't properly screwed on. It has been thus for an annoyingly long time–my energy keeps ebbing, and all I want to do is crawl under the bed and ignore the world.

I don't often write about feeling blue. That's a difficult state of mind to pin down with words; it almost always comes out as whining.

I hate whining, and have extremely limited patience with those who indulge.

It'd make me feel better to write about where I'm seeking comfort. Anybody care to guess?



Yup.

It's a Baby Surprise Jacket. The yarn is Rowan Felted Tweed, bought in Amsterdam a couple of years ago. Unlike the first jacket, this one's not going to Mongolia. I know the baby who will (I hope) wear it, although we have not yet been formally introduced.

Since I began it, this project and I have been inseparable. It's giving me exactly what my brain craves right now: a clear path with a definite ending. Cast on, knit, cast off, fold, sew. No room for uncertainty.

My life right now is a great tottering pile of uncertainty. I was coasting along in a dull little rut when suddenly things started to splinter. Possibilities have arisen involving my life, my work, and my romantic entanglements. All are distantly promising, but the promise could evaporate at any moment. And there's only so much I can do about it.

I hate, hate, hate that.

These are two things Buddhism has taught me, and that I believe:

1. All things are impermanent and change is constant.
2. Suffering arises from the desire to hang on to things that are impermanent or control that which cannot be controlled.
   

Smart cookie, that Buddha. You look at those two points, and you see a clear way out of my difficulty. Stop fretting over what I can't change anyhow. Let things run their course. Relax.

All the people reading this who know me well just had a laughing fit.

If I can't control the big things, dammit, I'll try to control the little ones. Give me two needles and yarn, and I can make one stitch after another until the thing I want is in my grasp. I'm going to knit this jacket, and keep on knitting, until the other stuff I want either shows up or doesn't. It gives me the illusion of control. And I know it's just an illusion, but sometimes illusion is enough.

It Must Be March

How do I know this? Because of the hint of spring warmth in the breeze? The almost indiscernible aroma of fecundity among the flowerbeds? The palest green promise of buds on the bare branches?

Fuck no. Are you kidding? I live in Chicago. Everything here is dead, gray, and frozen with no end in sight. It's like Narnia without the exotic animal life. If I'm not still wearing my frigging overcoat in June, I'll feel lucky.

Ah, that's it. That's how I know it's March. It's because I have offically Had It with winter and have withdrawn into my own season, the Season of Crabbiness. If Mother Nature were to peek her smiling, ruddy face through my window right now, I'd rip it off.

Knitting: Big Whoop

At such times it would probably be best to keep me away from all undertakings involving sharp, pointed implements. Nonetheless, I knit. Nothing spectacular, but at least with both hands full I can't smack random passers-by.

Here is what I have to show you right now. It's (are you sitting down?) a square-in-progress.

I wouldn't even show this to you except that even in my present state of mind I think the combination of yarn and stitch pattern is quite successful.



I got the pattern out of one of the Vogue Stitchionary books. I can't remember which one, and the book is all the way over there. It's called diagonal lace or prettyprettywow lace or happyshinyfuckitlace or something like that. The sample shot uses green yarn. I think. I'm not sure. Like I said, the book is all the way over there.

I had to re-do this dazzlingly complex work of art three times before I finally realized that there's a mistake in the three-row pattern and that if you follow it verbatim, your left edge gradually decreases and you will wind up with a right triangle instead of a square. Now, if you want to knit a @#%!* right triangle, why, it's just the very thing.

The yarn, which is soothing even to hands that might otherwise be hurling chunks of ice at widows and orphans, is from Black Bunny Fibers. Carol, one of my favorite Yarn Pushers, sent it to me along with instructions to knit it up to certain dimensions and not to ask any questions.



I may be a bitchy mood, kids, but I still know better than to argue with a lady who sends me free yarn.

Casting Call

You know it's not going to be a nice, quiet evening when you come home from work and find that somebody has posted this notice on your front door:

AUDITIONS
3:30-9 p.m.
Please have your headshot and resume ready.
Dancers please remove your shirts.

I took deep breath (which sounded more like an exasperated gurgle) and stepped into the foyer. Mrs Teitelbaum was there on a folding chair next to a card table, reading a copy of People magazine.

Her head jerked up as I closed the door. "Did you make an appointment?"

"No, Mrs Teitelbaum," I said. "What are–"

"Well, okay," she said. "You're kind of short but she did say she needs all kinds, so give me your photograph and take off your shirt and wait in the kitchen and maybe we can fit you in somehow."

"Mrs Teitelbaum," I said, "It's Franklin. Franklin."

She lifted her pince nez onto her nose and stared at me.

"Ohhhhh," she said. "It's you. She didn't think you'd be home so soon. I'm afraid she's not going to be very happy about this. We're right in the middle of things."

"Things?"

Suddenly from the living room I heard what sounded like an asthmatic Corgi singing "I Want Your Sex" with piano accompaniment.

"DOLORES!" I screamed.

The piano and the Corgi broke off in mid-phrase. Dolores huffed in, followed by Harry, who was carrying a notebook and a stack of 8x10 glossies.

"What are you doing home?" she said. "I thought you had a date."

"Not this month."

"Can you go get one? And not come back before, say, nine or ten?"

"What the hell is going on in here?"

"I am trying to conduct auditions, cupcake, in preparation for what will undoubtedly be the musical and terpsichorean sensation of the Boystown summer season."

"I don't even want to know."

"I have been engaged," said Dolores, "to present my song stylings at a venerable and beloved Chicago boite, and for this I require a top-notch supporting ensemble."

"Huh?"

"She got hired by the Lucky Horseshoe to sing three nights a week and introduce the coochie dancers," said Harry.

"What's a coochie?" said Mrs Teitelbaum. "Is that French for cookie?"

"Will you all please shut up?" said Dolores. "I am paying the pianist by the hour and we have talent stacked up in the kitchen waiting to be seen."

"And they already used up all the ice in the freezer trying to keep their nipples perky," said Harry. "So one of the guys was asking if he could crack open that box of frozen soy nuggets."

"I like chocolate chip coochies best," said Mrs Teitelbaum.

"Are we done? Should I put my pants back on now?" shouted the Corgi voice from the living room.

"Yes!" I yelled.

"No!" screamed Dolores. "I haven't seen you do the dance combination yet. Harry, let's roll."

The piano launched into the opening bars of Kylie Minogue's "Your Disco Needs You." Mrs Teitelbaum bobbed her head in time and snapped her fingers.

"Aren't you going to take your shirt off like the others?" she said vaguely.

"No."

"Oh, that's too bad. Say, when my shift is done would you like to come over to my apartment for a coochie?"

I think I'm going to start sleeping at the office.

Each One Teach Twelve

Glorious Comrades:

Let none among you say I am not doing my bit to increase the tribe. About a month ago, I was asked if I'd teach knitting to my colleagues in the office. I kid you not. Once per quarter, we're herded into a room together for an afternoon class of some kind. This time, they decided it would be fun to play with yarn. And who am I to argue with that?

However, I firmly declined to teach basic knitting to a crowd 35 people, many of whom have no interest in the subject. I said I'd take on a dozen–and they had to volunteer to be there. I can imagine few chores more thankless than trying to frogmarch an unwilling horde through the longtail cast-on.

And so we assembled last week in a sunny room looking out to the lake. A funeral and a sick child reduced the class to ten. Everyone sat down with a ball of bulky Louët Riverstone and a pair of US 10 bamboo needles,* and about an hour later everybody had cast on and done at least a row or two of garter stitch.

This was my first time leading a group, and I was fascinated by the differences among the students. I'd divide them roughly into three categories.

1. This is interesting, but... Comprised about a third of the students. Will probably never pick up the needles again. I'd like to think it's not the fault of my teaching. It's certainly not because I lack evangelical zeal. They were all politely enthusiastic, but when the opportunity to break for cookies presented itself they took off–and didn't take their (free!) yarn and (free!) needles with them.
   
   
2. Hey, this isn't half bad... The majority reaction. Pressed on through the terror of casting on and the first, tentative row of stitches to reach a point where they were knitting without dropping, adding, or holding onto their needles like Dubya clinging to the last shreds of his authority.
   
   
3. St Paul on the Road to Damascus. One student, an absolute beginner. Fumbled the cast-on once or twice. Then, as though she'd been kissed by the spirit of Elizabeth Zimmerman, knit about seven perfect rows and could not stop. When it could no longer be denied that class was over and it was time to go back to work, she looked positively stricken. "I don't want to," she whimpered. "I just want to knit. I don't want to do anything else. It's not fair."

Remember the first time you said that?

Honest to goodness, I don't know to feel about her. It may be that she'll always remember me as the fellow who ushered her into a world of limitless creative possibility. Alternatively, she may remember me as the reason she's in rehab, couples therapy, or credit counseling.

Mercury Is a Punk-Ass Chump

Nothing too exciting on the needles at present. I'm afraid even to touch the christening shawl, considering my abysmal track record over the past several weeks. I've never been much of one for astrology, but the idea of a Mercury retrograde* screwing up my knitting seems downright logical. I mean, the problem can't possibly be me.

Against all odds, I've finished the Earth Mother socks and they look fine. They aren't exciting, but they fit and they match. Right now, that feels like Achievement.

On the other hand, the Mystery Square has been frogged. Again.

The altar cloth? Ripped back to the start of the Endless Knot pattern. Again.

Will somebody please tell me when Mercury is going to get its ass back in gear? Will it be soon? Or should I just give up and start blogging about découpage and popsicle-stick birdcages?

*Thanks to our outfitters at Arcadia Knitting.
*Thanks to commenter Tamar for telling me about this. If you're one of the 5,000 people who needs an e-mail from me, that's Mercury's fault, too. Also, Mercury made me eat a lot of peanut M & Ms last night, and hid my laundry detergent. And my dishwasher.

Gather Ye Rosebud

Once upon a time when the world was young and I was a college student, I had the luxury (which I did not, then, appreciate) of spending hours lying about discussing topics of High Import with my classmates. Imagine Plato's Symposium, only instead of growing drunk on wine we were getting buzzed on chocolate chip cookie dough.

One of my pet themes was whether one can impose a hierarchy of values on the world of art. For example, was it valid to declare, as the French academics did, that history painting was the pinnacle of achievement, with other genres (still life, portraiture, etc.) ranked below. At times I was known to become quite heated about this and say "ergo"-and even, when I'd had too a little too much dough, "quod erat demonstrandum."

(Heh heh. Crazy days. Remind me to tell you some time about the great Schopenhauer Kerfuffle of 1991. Man, I wonder how we didn't all wind up with police records?)

Anyway, without fail I was on the side of those who felt the creation of an absolute hierarchy of either individual works of art, or of media (i.e., oil painting is "higher" than watercolor) was silly. I'm still of the opinion that an artwork itself has no inherent value; it acquires it in the mind of the beholder. The Mona Lisa, for example, is nothing but mineral pigments when there's nobody standing there looking at it.

I feel the same way when it comes to shoving needlework techniques into a caste system. For example, there are those-and they are entitled to their opinion-who hold that knitting is somehow superior to crochet. I don't happen to agree. I think it's not the technique, it's what you do with it. Knitting snobs would do well to remember that nice yarn and two needles do not always result in a work of art...or have you forgotten You Knit What?

By the same token, crochet can be used to create an object so hideous that just looking at it takes seven years off your lifespan, or it can be used to make the rather spectacular filet tablecloths I bought in Greece last summer.

But.

I must admit to certain prejudices. For example, when I was child every household had at least one revolting zig-zag crocheted afghan over the back of the sofa. I hated them. Hated them so much that I can't even stand the Shetland lace "feather-and-fan" pattern because it makes me think of those afghans.

Ditto granny squares. I know, I know. They're hip right now, they're funky, they're vintage. People just love them. They're on the runway, they're in the books, everyone's making them, blah blah blah. I look at them and have unfortunate flashbacks to sitting around watching Lawrence Welk and eating stale cookies while the grown-ups discussed their gall bladders.

However, like a good Buddhist I do my darnedest to avoid Fixed Viewpoints and, on occasion, even my congenital aversion to certain yarn-based atrocities can be overcome.

John Brinegar, over at Yarn Ball Boogie, has just done it. He's come up with a granny-square scarf with which I am in love, to the extent that I may lie in wait outside his door so that I can conk him over the noggin with my copy of Five Little Peppers and How They Grew and steal it.

If you've seen John's work, you know he's good at pushing the boundaries enough to make you look twice at things you've seen so often they're easy to overlook. Rosebud is definitely a pattern like that. I love the metal connecting rings, and I love subtle shifts in color.

It makes me...it makes me wish I could...crochet...granny squares...

Excuse me, please. The room is starting to spin. I think I need some cookie dough.

Simple Needs

The Slump and the Jolt

Elizabeth Zimmerman's immortal advice to the Yarn Addicted was to "Knit on, with confidence and hope, through all crises." And I try, Elizabeth, I do try, but at the moment my knitting is the crisis.

I don't know whether Jupiter has collided with Mars a bit too heavily, or the Moon couldn't find the Seventh House and went to the corner bar instead, or what. All I can tell you is every time I've picked up my needles lately, something stupid has happened.

Take the second Mother Earth sock. It's nothing remarkable, just another garter rib out of Sensational Knitted Socks–the sixth such I've made. I'm working it on two circulars and haven't had to pull the book out, because at this point the pattern has burrowed its way into my skull. This makes it all the more puzzling that I knit blithely down the leg, zipped through the heel flap, and then neatly and flawlessly picked up stitches for the gusset without turning the fricking heel first.

One of my other assignments is a piece of mystery knitting, courtesy of She Who Cohabits with the Black Bunny. I received by a post a nice parcel of her yarn, gorgeous as always, with a note instructing me to pick a stitch pattern, knit a square, and return it to her with no questions asked "or the mouthy sheep gets it."

You would think such a simple, straightfoward task is well within my grasp, no? She's basically asking for a washcloth, albeit in yarn you'd never want to touch a dirty dish. So why, darlings, why, have I had to rip back twice after inadvertently creating an amoeba and a trapezoid?

I'm hoping the deep freeze (which may, just may, be ending) has caused some lever in my brain to become stuck temporarily in the "off" position, and with any luck the onset of spring will unstick it. If not, I'm afraid my niecephew is going to be christened in a shawl that looks like it was knit in the dark, on a moor, during a windstorm, by one of the hounds of the Baskervilles.

On the Other Hand...

It was not a weekend without high notes.

First, in tandem with a good buddy I produced a chocolate soufflé (the first for both of us) with crème chantilly that, were it human, would be husband material. We shoveled it down with cries of delight, then felt rather sick, then realized what we'd just eaten was intended to serve eight.

It was still worth it.

And then my brain got a much-needed jolt of creative energy when Leigh Witchel parachuted into town and whisked me over to the Auditorium Theater to see what the Joffrey Ballet is up to.

I will admit that I'm not entirely in my element watching dance. I come to it with no more than layman's knowledge. I don't know Who is Who as I do in opera, so I can't keep score. I always enjoy myself, but with limited pocket money for tickets, opera wins. I only make it to the ballet when sponsored by a Generous Benefactor. Thanks to Leigh, I'm considering whether I ought to revisit that policy.

The Joffrey presented a triple bill under the title of Destiny's Dances. The first piece, Les Présages, is a period piece–an allegory (with appearances by Fate, Frivolity, Energy, et al) choreographed by Massine to music by Tchaikovsky. It wasn't engaging emotionally; few of the dancers seemed to buy into such drama as there was. So it came across as a series of extremely pretty late-deco café murals come to life. Me, I loved it. Chiffon, bouncy music, and symbolic characters striking portentous "Ode on a Grecian Urn" postures? Yes, please. And I'll have seconds.

The second piece was Balanchine's Apollo. I have a feeling this production won't be hailed by the cognoscenti as an immortal interpretation, but it was charming. And the fellow who danced the title role has what my late grandfather would have referred to as An Ass That Won't Quit. I was also deeply amused by Calliope. She was...qu'est-que c'est le mot juste...animated. So animated that from our seats in the fifth row she came across as both cross-eyed and insane. If Ricky Ricardo decided to do a Balanchine night at the Tropicana, and Lucy secretly locked the prima ballerina in a closet and took over the part herself, this is how she would have looked.

They wrapped up with The Green Table, an anti-war period piece. At first, it worried me. After a stunning opening involving grotesque diplomats dueling around a (surprise) green table, suddenly there were Weeping Women and Grim Soldiers and I thought...ugh. I'm a devoted peacenik, but it seemed a bit ham-fisted. I won't summarize what came after–I'll just tell you that within five minutes, I'd changed my tune. By the curtain call, I was damn near devastated.

Between the performance and the opportunity to Talk Knitting with Leigh, I'm feeling re-energized about picking up my needles and getting some real work done. So thank you, Leigh. If I manage to produce a square with four even sides that meet at right angles, I'm totally going to dedicate it to you.

Ten Alternative Ways to Say "I Love You" to a Knitter

1. The lady at the yarn shop said you like cashmere but she wasn't sure which color to suggest, so I just bought everything she had.
   
   
2. You shouldn't have to pull boxes out from under the bed every time you need to get a ball of yarn. Let me give you my closet.
   
   
3. Which would you prefer for vacation this year, sweetheart–New Zealand, the Shetland Islands or Rhinebeck?
   
   
4. Is that all you want? Why don't you have another look around in the sock yarn while I get out my credit card?
   
   
5. You look so hot when you're reading lace charts.
   
   
6. I can see you're counting, so I'll just make dinner, clean up afterwards, and put the kids to bed, so that when you're finished you won't have to wait for me to massage your hands. Okay?
   
   
7. Too much yarn? Don't be ridiculous. We can always add another room.
   
   
8. But, dearest, I think it would be silly for you to have only one spinning wheel.
   
   
9. It's called "Koigu." Do you like it? Is twenty pounds enough to make a sweater?
   
   
10. Put down those needles and come here, you sexy thing. One more row? Of course I'll wait.
    

Ice Queen

We're having a comparatively mild day in Chicago. As I write this, it's 21 degrees Farenheit. Quite a relief, as for the past two weeks our thermometers have been registering temperatures well below zero.

Dolores reacted to the onset of the Deep Freeze by going into near-hibernation. I'd leave the house in the morning to sounds of snores coming from her cushion near the Victrola. Returning ten hours later I'd find her a few feet north, on the sofa, covered in sedimentary layers of blankets, books, magazines, empty Sun Chips bags, and dirty dishes encrusted with the remains of frozen dinners from Whole Foods.

The sock yarn colony dissolved into anarchy. Deprived of discipline and daily jaunts to the park, they started getting into drawers and cupboards I prefer to keep undisturbed. When Harry rolled over to me after work, held up an assemblage of black leather and chrome, and said, "Can you settle a bet? Me and the guys are trying to guess how you're supposed to wear this," I decided it was time to wake Rip Van Hoofen from her slumber.

"Dolores," I said, "We need to have a talk." I picked up the remote and clicked off the television.

She stirred, dislodging an avalanche of Ho-Ho wrappers and back issues of The Journal of Hellenic Studies. "Put that back on," she yawned. "It's almost time to throw cocktail nuts at Emeril."

I pushed aside a pile of Janet Evanovich novels and sat down.

"Now," I said brightly, "Let's have a cozy chat about the running of the household, and your place in it, shall we?"

She burped.

"I can't help but notice that the sock yarn hasn't been taken for an airing in quite some time," I said. "Would you care to explain why this is?"

"Too friggin' cold out there."

"Yes," I said. "I have experienced the inclement weather first hand. However, one might point out that the sock yarn is made of wool, and that you yourself are covered in wool, a well-known source of protection from the elements. Why, I even heard of a Herdwick sheep in the English Lake District that survived in a blizzard on a hillside for several days by chewing its own wool."

"Chew on this," said Dolores, gesturing weakly, but evocatively, in my direction.

"Hey, boys," I shouted, "Anybody who helps me get your den mother off the sofa gets to go to Windy City Sweets for sundaes."

Dolores's vitality surged when she was set upon by sixty balls of sock yarn excited by the prospect of extra whipped cream. She swatted at them like Tippi Hedren fending off a flock of seagulls; but she was outnumbered and outmuscled, and in short order was dumped into the bathtub for a much-needed soak and shampoo.

The hot water revived her sufficiently to allow further conversation about her responsiblities. While she was setting her hair, she agreed that she had been remiss, and offered to make up for it by taking the sock yarn skating in Millennium Park the next day.

"I can show them a couple of tricks while we're down there," she said, adjusting a curler. "I was quite famous for my figure eights, you know."

"You figure skate?"

"Please," she said. "I was a headliner with the Ice Capades in the late 70s, until I gave it all up."

"What happened?"

"That little bitch Dorothy Hamill," said Dolores. "With the pixie cut, you know?"

"I seem to recall the name."

"The producers were putting together a new show and as the stars, we were given a certain amount of creative input. I got to the production meeting first, and had everybody all excited over The Oresteia on Ice–with myself as Electra, of course. Then she bounced in from filming a shampoo commercial and shook her pachongas and smiled, and suddenly we're doing The Wonderful World Mother Goose and she's Bo Peep and I'm her freakin' sheep. So I took the role very seriously and got lost."

"What a pity."

"I wanted to raise ice dancing to the level of high drama, and those bastards turned it into a circus sideshow. Oh well. Tant pis. Ancient history. I've forgotten all about it."

Dolores wrapped a kerchief around her curlers and went to bed. I passed by in the night on my way to the kitchen, and she was moving about in her sleep, undulating delicately like one cutting a figure eight on a pristine rink. She murmurred softly to herself. I paused to try to make out the words.

"You can skate but you can't hide...just wait...I'll get you...Dorothy...I'll get you...and your little...dog...tooooooo..."

Anthology

I missed putting up a poem on St. Brigid's Day. It must be an effect of creeping Buddhism. When I was a little Catholic kid, studying Lives of the Saints (it was always capitalized) was lagniappe to me and on most days I could tell you who one should be celebrating and in what grisly, picturesque manner he or she or they had died. This came in handy in college, when I was able to impress a professor or two with my ability to decode complicated Renaissance altarpieces on the fly.

Now that Buddha has taken up residence in the living room, however, the liturgical calendar isn't as much of a concern and I forgot all about Brigid. But why confine poetry to one day, eh?

I like poetry, good poetry, when I can find it. This happens less often than one might wish. When I do find it, I like to collect it.

This is an old habit of mine, begun in the mid-1980s. I can pinpoint the exact day.

I was in another interminable class at the dreadful high school, sitting around waiting for a test to end. I'd written my answers down on a sheet of notebook paper with fifteen minutes to go. I couldn't read, of course. And so I tried to pull a book out of my head: Alice's Adventures in Wonderland.

I realized I could see the opening page of the fifth chapter, "Advice from a Caterpillar," clear as day. And that I could remember words, as well. So I pulled out another sheet of paper and started writing them down. "The Caterpillar and Alice looked at each other for some time in silence..."

It was the first time I ever realized that forming letters is, for me, a sensuous pleasure. The first stroke of the A in "Alice" sent a shiver up my spine. I completely forgot about the classroom, and the test, and lost myself in the writing. If there is such a thing as reincarnation, it's entirely possible that I spent at least one lifetime in a scriptorium merrily decorating the Book of Genesis or the Koran with arabesques or fleurs-de-lys.

After school that day, I stopped in at a drugstore and bought a black marble composition notebook. If I had enjoyed copying down Alice, I decided, it would be a lot of fun to copy down everything that I'd loved reading, all in one place. Choice excerpts, just for me.

I still have it. Here it is.



I can state with certainty that I bought the book in 1985 because the first quote is a lyric from Stephen Sondheim's Sunday in the Park with George, which premiered that year: "Work is what you do for others, Art is what you do for yourself."

The notebook went everywhere with me and filled up at an alarming rate as I copied in everything from one-line aphorisms to the entire first chapter of A Passage to India. For a long time I thought this was a practice I'd invented, until two years later I read Alberto Manguel's article "Sweet Are the Uses of Anthology" in the New York Times Book Review and found out that mine was a hobby quite popular in the Victorian and Edwardian eras.

(The article appeared in the August 23, 1987 issue–I know because I copied an excerpt into my book.)

There are things in this book and its successor that make me roll my eyes today, such as a lengthy piece from, dear me, the Reader's Digest, in which Aleksandr Solzhenitsin avers that everything evil in the world (especially Communism, natch) has arisen because mankind has turned away from Christianity.

And there's my handwriting...



I dotted my i's with little circles. Oy. I was but one YM subscription away from being a teenage girl.

And then there are things I am immensely pleased to see–things I encountered in books that were not mine, or in newspapers long ago crumbled that I'd no longer have if I'd not pinned them to the page.

Here's one. It's poem that against all odds made it into a textbook put into my hands by the dreadful high school. I discovered it on my own, flipping through the pages looking for something better than the Rod McKuen dreck the teacher had assigned. The first time I read it, it thundered.

I might have discovered Lucille Clifton on my own, later–but then again, I might not.

I know the St. Brigid reading was supposed to be silent, but this isn't Brigid's day and this poem is not to be read in silence. Stand up and read it out loud. Hell, stand up and shout. It'll do you good.

Miss Rosie by Lucille Clifton

When I watch you
wrapped up like garbage
sitting, surrounded by the smell
of too old potato peels
or
when I watch you
in your old man's shoes
with the little toe cut out
sitting, waiting for your mind
like next week's grocery
I say
when I watch you
you wet brown bag of a woman
who used to the best looking gal in Georgia
used to be called the Georgia Rose
I stand up
through your destruction
I stand up.

Slow Down, Baby

Lo. It is begun.

I looked at the calendar yesterday and realized with a shock that the arrival of my little niece or nephew, which once seemed so remote, is now disconcertingly near. It may not seem so to my sister, but she hasn't promised to knit a large square of lace to wrap the baby in once it arrives. All she has to do is sit around and let it bake, or whatever babies do in there.

I don't have anything to show you at present, but in the interest of keeping track of the process here's what I've done so far.

1. Contemplate the many, many beautiful shawl patterns available commercially for today's lace knitter.
   
   
2. Imagine completed shawl being shown on edition of "Antiques Roadshow" in 3014 and great-great-great-grandniece being told that it was made from chart bought for $2.75 and is worth $4.53.
   
   
3. Decide baby absolutely must be given shawl of original design.
   
   
4. Ponder approximately 14,000 lace stitch patterns as recorded by various authorities the form (Walker, Khmeleva, Miller, Bush, Kinzel, et al.)
   
   
5. Swatch about two dozen of the above.
   
   
6. Wash swatches. Block swatches. Accidentally step on swatches. Exclaim emphatically. Remove t-pin from bare foot. Re-wash swatches. Re-block swatches.
   
   
7. Compare the construction of shawls as practiced by the Shetland Islanders, the Estonians, the Russians, the Scandinavians, Jean, Marianne Kinzel, and Elizabeth Zimmerman.
   
   
8. *Decide to do it the Shetland way.
   
   
9. Decide to do it the Orenberg way.
   
   
10. Decide to do it Elizabeth's way.
    
    
11. Jean's way.
    
    
12. Marianne's way.
    
    
13. Repeat from * until freak out and start throwing yarn and patterns and itty freaking bitty needles at the wall.
    
    
14. Stop. Breathe. Pick cobweb swatches out of chandelier, retrieve needles from behind fainting couch, stack patterns neatly under paperweight shaped like Meg Swansen.
    
    
15. Sit zazen and think of lace.
    
    
16. Go to bed and dream of lace.
    
    
17. Survive 153 pointless staff meetings by doodling lace charts on what looks to civilian eye like Very Serious Excel Spreadsheet.
    
    
18. Experience epiphany. Consult with dear Margaret Stove regarding best methods of plotting a new design.
    
    
19. Send Dolores to Lucky Horseshoe for five hours of pre-paid lap dancing.
    
    
20. Screw courage to the sticking place.
    
    
21. Cast on. Knit.
    
    
22. Wonder if pregnant lady can "cross legs and wait" if shawl takes longer than expected.
    
    
23. Hope baby has perhaps inherited its uncle's predisposition to procrastinate.
    

While I Was Out

Hello again.

I had a long rest, and thank you so much to everybody who sent good wishes. I'm told I'm better now, and I hope so, because Resting Quietly is a royal pain in the kazoo. More than once I was put in mind of Charlotte Perkins Gilman's The Yellow Wallpaper. However, unlike the poor lady in that story I was allowed to knit and so did not attempt to merge with the bedroom walls out of sheer boredom.

Not that the knitting itself is much to shout about. Here's the lot:



Another sock, obviously–once again in the same pattern and these and these. Why a third pair? First, because it wasn't too taxing on the mind or the fingers. Second, because at this point I can work it from memory and even my bookcase was verboten for the duration.

The other thing is a new altar cloth, using the pattern for the first one on the edge. In the center, in progress, is a panel out of Barbara Walker's second volume. She calls it "Scrolls," but I'll be a waltzing dakini if it isn't a dead ringer for the Endless Knot, one of the auspicious symbols of Buddhism.

That's it for knitting, I'm afraid.

Since I don't more to offer you, I'll answer a few questions that came in via comments and e-mail after I wrote about cataloguing my library.

Q. Do you actually have two copies of Maurice or did you make a mistake?

A. Yes, I have two copies of E.M. Forster's Maurice, but one of them is in French. It was given to me by my first true love, and is dear to me. Alas, the ending is just as implausible in translation.

Q. Can I borrow your copy of [title]?

A. Absolutely, provided you fit into one of the following categories:

1. You are a member of my immediate family.
   
   
2. You and I are presently involved in a committed, long-term relationship and I'm not planning on breaking up with you in the near future.
   
   
3. I have an enormous crush on you which I hope may develop into a long-term relationship and I'm trying to seduce you with literature.

If you are in category three, and nothing develops, and the book is not returned in short order, I will hunt you down and kill you if necessary to get it back.

If you fit into none of these, I'm afraid the answer is no. I'm very Polonius about my library, and usually prefer to be neither a borrower nor a lender. Having another person's books in my care gives me horrible jitters, lest something should happen to them.

Q. Have you actually read all of those books?

A. Of course not. Have you ever tried to read a Baedeker guidebook cover-to-cover? However, anything I haven't read through to some great extent, with the expectation of picking it up again frequently, doesn't stay on the shelf very long. Space is too precious.

Q. How does a book earn the tag "beloved"?

A. There are many ways. It may be a book that reminds me strongly of a particular place or time I hold dear. It may have had a profound impact on my worldview or my writing. Most likely, no matter what, it's a book I've read so often that to be without a copy is unthinkable.

Q. Why did you label certain authors with the tag "pompous ass"?

A. Because I find those authors come across as such. It doesn't mean I necessarily dislike the book. Alden Amos's Big Book of Handspinning is an example. I love the book, and I even love his sense of humor–until his coyness gets in the way of his scholarship. When he remarks that "most" Lazy Kates are unfit for their intended purpose, but doesn't bother to say why, or which designs do work, I want to smack him.

Q. How dare you say that about Madeleine L'Engle, you heartless sonofabitch?!

A. Because I'm sorry, but I've never liked her books. At all. I read A Wrinkle in Time in fourth grade because it was damned near compulsory, and by the fifth page I could tell she was going to try to slip a badly-disguised Sunday School lesson past me. C.S. Lewis did the same thing, of course, but I liked his writing enough to make allowances. And, frankly, I find that in her later works she went completely off the deep end and wrote book-length inscriptions for sappy greeting cards.

This doesn't mean that if you love Madeleine L'Engle I think you're a moron. It just means our tastes differ on this point. And wouldn't life be boring if we always agreed on everything?

Q. Okay, smartypants–so why do you keep all those books by Madeleine L'Engle if you think she's a pompous ass?

A. I'm letting them appreciate. They're all signed with personal inscriptions (long story), and one of these days they're going to help me finance a house. Thanks, Maddie!

Q. How the hell did you make it through Middlemarch?

A. I'll tell you the same thing I tell everybody–even when they don't ask. Skip the prologue about Saint Theresa. When you finish the book, with tears in your eyes, you'll go back and read it and understand it and very possibly read the entire book over again...I did.

Intermezzo

Hey kids,

I've been asked-nay, commanded-to step away from the keyboard for a couple of days and get some profound rest. I expect to be back on Monday, full of piss 'n' vinegar.

In the meantime, talk quietly amongst yourselves.

Bookish

I came home last night to the smell of baking brownies. The embroidered cloth I bought in Budapest was on the table, along with a stack of the best dishes and the silver epergne full of baby roses.

Dolores was in the kitchen, pulverizing a pile of avocados into fresh guacamole.



"This is a pleasant surprise," I said. "Is it by any chance a...belated birthday dinner? Hmmmm?"

"Book group," said Dolores, tossing a pinch of salt into the bowl.

"You joined a book group?"

"No, I started a book group. You think I can sit around with the sock yarn all day watching Nickelodeon? I pulled out Catullus the other night just for shits and grins and realized my subjunctives are slipping. I need stimulation, cupcake."

"Did your batteries go dead again?"

"Vulgarity is not appreciated. Now get out of the way so I can mix the sangria."

"How many people are coming?"

"Just three of us. It's only our first meeting. I put up a sign in the laundry room but this building is full of Philistines. So we got Harry, Mrs. Teitelbaum, and me."

"She's not bringing Tinkles, is she? Harry's still got that twitch in his eye."

"Of course not. How could Tinkles read the book? He's a cat."

"Oh. Of course."

I went into the bedroom to change clothes. Harry was reading quietly on the chair in the corner.

"Good book?" I asked.



"I think so," he said. "I don't understand all of it. But Dolores says if I expand my mind it will give me greater range as an actor."

"How true."

"Also she said being smart is a great way to pick up guys."

"Did she really?"

"Yeah. Like, she said if it weren't for your brain being kind of big you'd get about as much action as a shy cloistered nun with a suspicious rash."

An hour later, the Coven of Intellectuals convened in the living room while I sat nearby spinning the last of Rabbitch's merino. Dolores, naturally, took the lead.

"I think we should begin by discussing our initial reactions to the work," she said. "For example, I found it to be a profoundly moving exegesis of the female mind, and a testament to the power of exploring the depths of one's own soul. Mrs. Teitelbaum, what did you think?"

"I don't understand what it had to do with airplanes," said Mrs. Teitelbaum.

Dolores rolled her eyes.

"Well," said Mrs. Teitelbaum, "it's called Fear of Flying."

"That's a metaphor," said Dolores.

"What's a metaphor?" said Harry.

"It's when a caterpillar turns into a butterfly," said Mrs. Teitelbaum.

"No," said Dolores, sucking in her breath. "That's a metamorphosis."

"Oh," said Mrs. Teitelbaum. "Pardon me for living."

"I couldn't finish it all," said Harry timidly. "And I didn't understand a lot of it. Like, what's a zipless fu–"

"Harry!" I said, jumping up from the spinning wheel, "How about we go in the other room and have a brownie and I'll read you the next chapter of My Friend Flicka?"

"Yay!" shouted Harry, rolling off the sofa.

"Is the meeting over?" asked Mrs. Teitelbaum vaguely.

"Yeah," said Dolores. "We're adjourned. Here, take some guacamole home with you. Shalom."

She shoved our neighbor out the door and pulled her coat out of the hall closet.

"Where are you off to?"

"I gotta go buy batteries."

Welcome to My Library

It's been very bookish in the apartment lately, quite aside from Dolores's attempt to establish herself as the kultur maven of Lake Park Plaza.

I've been a bibliomaniac literally for as long as I can remember. The first gifts I can recall were books. My earliest memories of my parents involve bedtime stories. And I'm told that as a toddler I used to smack our patient German Shepherd, Sandy, with The Poky Little Puppy and command, "Read!" My appetite for a good yarn is far older than my appetite for good yarn.

My personal library has grown like a bed of mushrooms since the first pile of Little Golden Books landed next to the crib. Now, I'm not one of those people who never gets rid of books once I own them. I have a strict schedule of two cullings a year, spring and fall, during which deadwood is ruthlessly removed. But I usually get rid of three or four books each time. In a given month, I usually acquire five or six. Or ten.

Get the picture?

I've never counted or catalogued them, until now. That nice Brenda Dayne, hostess of Cast On, mentioned librarything.com many episodes back and I was intrigued. I opened an account and am slowly working my way to the finish line, enjoying the process of handling every book individually. I estimate that I'm a bit less than half done.

Care to have a look at the work-in-progress? Feel free.

Tips: If you choose Display Style "D" you'll see my comments, where I record marginalia, inscriptions, or other aspects of the book. And if you search for the tag "beloved," you'll pull up the list of volumes dearest to my heart.

Also: No liquids, no cigarettes, anything before 1850 must be handled with gloves, and you will be frisked at the door before you leave. I understand Book Lust all too well.

And Finally

Many, many thanks to everyone who sent birthday wishes and comments. It was good day. I am happy to be alive. And I am so happy you are all out there.