Friday, October 14, 2011

Birthplace of Lopi

This was taken at Álafoss, a few hundred yards from the modern Istex mill where Lopi Yarn is produced.

Álafoss

In the early days of the industry, in the late 19th century, this river ran with naturally warm water. The raw wools were washed in it.

Álafoss

Today, the original mill building houses a shop that sells Lopi–including the famous unspun yarns that are put up in little wheels.

Álafoss Yarn

Footnote: Across the path from the shop is a former swimming pool that became the recording studio for the band Sigur Rós.

Studio at Álafoss

Before this trip I wasn't a fan of either Lopi or Sigur Rós. Boy, did that change in a hurry.

Thursday, October 13, 2011

Oh Boy Oh Boy Oh Boy Oh Boy Oh Boy

Yesterday, in an antiques shop near the harbor in Reykjavik, I found these* under a stack of old sheet music.

Good Find

Last night, inside the blue one, I found this.

Amazing Find

That's the most exquisite hand-drawn lace chart I've ever seen. I think it's time for a mystery knit.

*Kunst-stricken is "art knitting"–in other words, knitted lace.

Wednesday, October 12, 2011

Having a Terrible Time

Iceland is just so cold and barren and forbidding and stark. Help, help.

Knitting at the Lagoon

New On the Calendar

As much as it pains me to contemplate a time in which I shall not be in Iceland, at least I have some exceedingly cool stuff to look forward to.

December 2 and 4, I'll be in New York City (hurrah!) at Lion Brand Yarn Studio for three classes and an evening talk / book signing. Sign-ups are open–follow the link for more information.

Tuesday, October 11, 2011

Answer Man

Am rushing off to the Blue Lagoon (my life, it is bleak) so only time for three quick answers this morning.

1. Prancing pony Lopapeysa in the Lopapeysapalooza post is available here as a free download in English. Awesome, no?

2. The sheep in the graffiti post is in the upper left corner. It's wearing black sneakers, which is the way that Icelandic sheep camouflage themselves. Very effective, apparently.

3. Yes, I have heard about the volcano possibly erupting any minute now. I hasten to reassure you that I am not sitting on top of it. Please stop with the alarming e-mails. I'm fine, we're all fine, and if by chance it blows me sky-high I'll die happy. I'm surrounded by sheep and yarn. What more can you ask for.

Monday, October 10, 2011

Speaking in Tongues

Grocery, Reykjavik

Before this trip, the only thing I knew about the Icelandic language was that it was sprinkled with letters I didn't recognize, most notably the eth (ð) and the thorn (þ). Aren't they pretty?

Now that I've been here a few days and heard it spoken constantly, I'm in love with it. It has lilt and sparkle. It falls gently on the ear. A casual conversation in Icelandic sounds less like chitchat than a duet. (Or a trio, quartet, or–after a substantial amount of Gull has gone down the hatch–a free-for-all twelve-tone Viking war chorus.)

I love languages and am usually pretty good at picking them up on the fly. But not Icelandic. Three days and I still can't pronounce the name of my street (Þórsgata) in a way that doesn't make taxi drivers say, "What?"

Being unable to decode anything written–menus, shop signs, magazine titles, street signs–is wildly disorienting. The street signs, in particular, make me seasick. Þórsgata is an easy one. Usually you're confronted with Rauðarárastígur, which when spoken properly sounds as though it only has two syllables, neither of which uses any of the letters in "Rauðarárastígur."

To cope, while I try earnestly to improve myself, I've had to resort to remembering street names by what they kinda look like instead of what they actually are. This morning, I'm in charge of navigating myself and my companions (Mike of FiberBeat and Stephen of Hizknits) to a thermal pool we haven't tried yet. It's at the corner of Burgermunch and Snuffleuppagus.

If you don't hear from us in 24 hours, send help.

Addendum: I opened Flickr this morning to be greeted by this.

Very Funny, Flickr

Go fuck yourself, Flickr.

Sunday, October 09, 2011

Lopapeysapalooza

A flock of lopapeysa (traditional Icelandic yoked sweaters) caught on the fly during a community inspection of rams.

Lopapeysa

Lopapeysa

Lopapeysa

Lopapeysa

Lopapeysa

Check out the size and spacing of some of these motifs. Notice that strands are often carried for far more than five stitches–and nobody died. No weaving on the wrong side, either. When I asked about this, I was told that Icelandic wool felts so readily to itself that with very little wear, the long floats pretty much disappear into the fabric.

The longer I knit, the more I realize that Elizabeth Zimmermann was right: there are no rules in knitting that cannot be broken.

The tour company that brought me here has produced a thoroughly charming instructional video about these sweaters. Highly recommended.

Saturday, October 08, 2011

Morning in Reykjavik

A corner of the graffiti park.

Graffiti Park, Reykjavik

Did you spot the sheep?

Friday, October 07, 2011

Iceland Welcomes You

A sheep farm in the West Country.

Iceland. Sheep.

Sheep here don't say "baaaaa" they say "mehhhhhhhh." But aside from the language barrier, we got along famously.

Thursday, October 06, 2011

Next Stop Reykjavik

Twice in one day. It's either feast or famine around here, isn't it? Not, come to think of it, that two brief posts constitute a feast.

Not unless you're one of the two French women at the next table, here in the Food Court at the Boston Logan International Terminal. They are having quite a heated conversation about how all the options here are too much, too much! They haven't mentioned liver attacks yet, but they're French, so it should come around any minute.

I happen to agree with them. It's too much, and it's disgusting. What passes for decent food in an Airport–any airport I've been through, even outside the United State–would be considered slop for half the price in the land outside the runways. I settled on Chinese food, like the two French women. They are splitting a single entrée, a bottle of water, and a cup of rice. They might consider these two entries a feast.

Notice how I finally remembered where I was going with that?

Oh, and the hat. I finished the hat, aside from weaving in the ends. I wound up just doing an asymmetrical garter-stitch brim. Here's a picture.

Almost Ready for Iceland

I hope you noticed the cleaning lady in the background, asking herself, "What in the Hell is he doing?" You work at an airport, honey. This cannot possibly be the weirdest thing you've seen today.

Maybe I should leave the needle in, and tell people who ask that it's an antenna. Better yet, leave the needle in and tell that to everyone, even if they don't ask. I bet I could get three seats all to myself.

Fine, it's not going to win any design awards, but it'll keep my flipping ears warm. It's also my first top-down hat, and it's a method I'll be delighted to repeat.

I could fuss with the brim some more, but I have to move on to the next project.

Because I forgot to pack a scarf.

PS They just said it! Crise de foie! I feel like I should yell, "Bingo!"

I've Been a Little Busy Lately

I remember a time when I didn't write most of my posts while sitting in airports. But here's another one. I'm in Chicago, waiting for a flight to Boston. From Boston, I go to Reykjavik, Iceland.

I've never been to Iceland; but I hear tell that they sell yarn at the grocery store, so I'm expecting it to be an Earthly Paradise. Albeit a slightly chilly Paradise, which would explain the omnipresence of yarn.

I was packing for the trip when I realized, last night, that I don't have a winter hat for myself. Not one. I've knit tons of them, but they've all gone off into the world on other heads.

It's in such a situation that Knitters and Those Who Do Not Knit part company. Those who knit not would go out and buy a hat. Knitters, or at least this knitter, reach a point where buying a winter hat feels like cheating (at worst) or giving up (at best).

There is simply no way I can show up in Iceland with a four-dollar hat from Target.

So I'm knitting one en route.

Leaving for Iceland

I have until I get there to figure out and finish the brim treatment. Ribbing is out. Too pedestrian. This should be a Project Runway challenge: finish your garment by the time the plane lands, or get frostbite.

Off we go.

Tuesday, September 20, 2011

Such Language, and In Front of the Dolls

Knitty's Deep Fall 2011 issue is out today, which brings with it the second (and blessedly final) installment of the Weldon's Practical Knitter baby doll ensemble, the first part of which appeared in the previous issue.

A prominent feature is the looped edging that gives the otherwise simple bonnet a bit of kaboom.

Bonnet

Weldon's
was on a loopity-loop kick at the time. In the twenty-sixth series of Practical Knitter (from whence come the doll clothes) the technique is featured repeatedly. Good thing, too. The pattern I was working from omits the key maneuver that prevents the whole thing falling to pieces when you shake it. A comparison with a pattern for a woman's coat–on the very next page–showed me where the error lay.

Once I had the knack, looped knitting wasn't difficult, though I wouldn't want to edge an entire coat with the stuff. It's certainly eye-catching. Tom was transfixed when he saw it.

"What the heck is that?"

"Another piece for Knitty."

"One of the antique ones?"

"Yep."

He pondered the narrow, furry strip trailing off the needles.

Looped Edging.

Tom doesn't knit, but at this point he's heard (ad nauseam) about Fair Isle knitting, Faroese knitting, Estonian knitting, Latvian knitting, Portuguese knitting...

"What do you call it?" he said. "Because it looks like Brazilian knitting."

Nota bene: If you don't get it, darling, I'm afraid I am not going to explain it to you.

Wednesday, September 14, 2011

Sleepish in Seattle

It’s stuffy in here. My eyes are shut, but the glare of cheap fluorescent lights is barely tempered. The air smells of exasperation, perspiration and panic. Every few minutes, a woman with a voice like a Valkyrie hoots directions sternly into my ear. I’m either in seventh grade, taking a math test; or I’m at the airport.

Eyes open. Airport.

Which is worse. Airport? Algebra? Not sure.

But it's worth it. I’ve had a week and then some of intense knitting out here in Seattle; including a talk to the Seattle Knitters Guild,* and classes at two shops I love: Fiber Gallery and Weaving Works.** For that, I will bear a security officer (whose career consists largely of looking at nude X-rays of strangers) telling me that traveling in a kilt is A Little Weird and Asking for Trouble.

The first four days were spent in the company of these fellows:

Men's Fall Knitting Retreat, 2011

Those are the faces of the Men’s Fall Knitting Retreat 2011, which I look forward to the way I used to look forward to the arrival of the Sears-Roebuck holiday catalogue. So many shiny new toys to look at,*** and always something interesting to see in the underwear section.

This year, Show and Tell Night was combined with a parade of non-bifurcated men’s garments–also known as kilts and sarongs.

Kilt & Sarong Night, Men's Fall Knitting Retreat 2011

Then we had a tickle fight. No, not really. But feel free to imagine that we did.

* I presented a new talk, and they laughed at the jokes. I am so very grateful.

** I bought books at both. I almost bought a loom at the latter, because I don't spend enough of my life playing with fiber already.

***I was particularly taken, not for the first time, by a demonstration of the Pocket Wheel; and left Skacel Collection headquarters with a dreamy hank of something that will become a new design this winter.

Edited to add: By popular demand, a larger version of the kilt photo is available here.

Sunday, August 21, 2011

Harry's Home Movies: Concluded

The last of Harry's travel trilogy–highlights of Sock Summit 2011–is now up and running on our YouTube Channel.

Before you click over, I feel compelled to warn you that some scenes of this installment may prove disturbing to very young children and anyone who doesn't quite understand the whole yarn thing.

But that's their problem, innit?

Thursday, August 18, 2011

Yeah, I'm Working on Another Column For Knitty

Dear Anonymous Nineteenth-Century Designer,

Often, as I wend my way through your patterns, I wonder who you were and where you lived.

I imagine what it would have been like to meet you face-to-face; and ponder what you might have tried to say to me as my fingers closed firmly around your throat to choke the life out of you.

Love,
Franklin

The 19th Century Knitting Pattern Designer

Wednesday, August 17, 2011

Harry's Home Movies: Transatlantic Intermezzo

The first episode of Harry's video chronicle has shot past 3,500 views in just a few days. Very gratifying. Thank you.

In editing the rest, we discovered there's so much weird good stuff from Sock Summit that it's best to give the centerpiece of the trip–our voyage on the Cunard liner Queen Mary 2–its own installment. No knitting in this one, but there is a hint of what's to come near the end.

If you would care to experience the luscious filling of crème chantilly that separated our two gooey, high-calorie layers of fiber festival, please click over to my YouTube Channel and make a young ball of sock yarn very happy.

Friday, August 12, 2011

Harry's Home Movies: Part One

Harry took his new video camera (a gift from my parents) everywhere during our long, strange trip.

Herewith, the first part of what he saw. Aside from the out-takes which largely feature me in various states of undress.

As the movie's a little too large to show properly here, kindly visit my YouTube Channel to view.

Friday, August 05, 2011

Culture Corner with Dolores

Hi, it's Dolores.

Franklin "Stop Calling Me Frodo" Habit is still stuck in the video editing suite (which if you ask me looks a whole lot like the kitchen table) with Harry. After three days, they're still only halfway through Harry's 10,000 hours of footage showing mostly carpets, ankles and Franklin screaming, " I told you to keep that thing out of the bathroom, dammit!"

Not to point hooves, but I was the one who said at the outset of the trip that giving the camera to somebody who needs a ladder to see over a speed bump was perhaps not the brightest idea.

So Franklin chucked the keyboard at me and said to show you my contribution to the team travelogue. It was supposed to be a series of photo studies highlighting hand-embroidery and block printing in the textile collection at the Victoria and Albert Museum, but that was completely boring and the sun was in my eyes and don't tell me what kind of art to make so I went another way.

Naked Tushes of the V&A

Study 6

Study 5

Study 4

Study 2

Study 3

Study 1

Whoops, how did that last one get in there?

We at The Panopticon thank you for your kind attention to our educational programming. Please exit through the gift shop. I'm going for a drink. Bye.

Tuesday, August 02, 2011

10,000 Uses for an Ocean Liner

Use #8,247: Sock Dryer.

Ocean Liner/Sock Dryer

When using an ocean liner as a sock dryer, it helps if you happen to be traveling with your entire collection of old wooden clothespins. Keep an eye on the weather: It is undesirable to find that a sudden gale has soaked your sock anew or–worse still–blown it away entirely. Should rough weather arise during dinner, you are advised to leap up (even if dessert is on the way) and waste no time in effecting a rescue. You may find it helpful to shout, "My sock! My sock!" all the way to your cabin in order to warn passengers and crew that they need to clear a path.

If you were in my Knitted Tessellations classes at Sock Summit 2011, you'll recognize this as the new "Feline" sock–fresh from a long soak in the bathroom sink (Use #8,246) after being knit up in the Spa, the Britannia Restaurant, and the Coffee Bar (Use #8,245). Paired with "Canine," it'll be online for download in a few weeks.

We of The Panopticon are home from Sock Summit and in the midst of the usual round of mail sorting, laundry, unpacking, and trying to find space for all the new books. (Space for new yarn is easy. Yarn squishes. Books squish not.)

I'm also helping Harry to edit all his home movie footage. Turns out the little dickens is quite the budding cinematographer.

Thursday, July 28, 2011

The Glamorous Life: A Tasteful Vignette

It was only after I reached Portland yesterday that I realized I had passed through four time zones in a little more than twenty-four hours; a new personal record. I was standing, but my body felt as though it had been neatly and expertly de-boned like a turkey galantine.

My brain, which is congenitally befogged on the best of days, was on the verge of shutting down. I woke twice in the night, confused, in a cold sweat. Happily my custom of leaving bedside notes for myself prevented a full-blown panic attack and unmanly screams that might have summoned the police.

The third time I woke, it was to (as Sister Mary Cynthia used delicately to put it) visit the gentlemen's private accommodation. I was perhaps twenty percent awake, the room was dark, and I felt in my head (as I always do on the first night ashore) the delicate rocking that suggested I slept yet in the luxurious bosom of Mother Cunard.

So I padded over to where the bathroom was in my cabin on the Queen Mary 2; and it was only when by happy chance a sleeve brushed my face that I came to full awareness and narrowly avoided having a hearty pee into the shoes on the floor of my closet at the Red Lion Inn.

Wednesday, July 27, 2011

The Advantages of Knitting in the Middle of the Sea

...and other, random notes from aboard the Queen Mary 2, transcribed at LaGuardia Airport in New York while I wait for my flight to Sock Summit.
  1. Leaving England and KnitNation because you have a passage to New York on a Cunard liner takes some of the sting out of leaving England and KnitNation. But not all of it.

  2. Ill-mannered children with overly-indulgent parents are an international phenomenon. The self-centered little darling kicking your shins on the gangway, yelling in the restaurant or spilling expensive drinks in the ship's bar s/he really should not be visiting in the first place is as likely to have come from England, France, Spain, Japan or Germany as from America. This is simultaneously comforting, alarming and depressing.

  3. European families seem to like to go to the spa together. On the one hand, I think that's rather sweet. On the other hand, though I love my mother, I do not wish to sit in a Turkish bath with her.

  4. Speaking of the spa, had my first view in years of bare breasts when I walked into the aromatherapy sauna and surprised a French lady who had forgot to put on her maillot. She hitched up her towel and cheerfully wished me bonjour, but not before I'd taken in the panoramic view of her aureolas and instantly found myself thinking, Yup–still gay.

  5. The sound of the Queen Mary 2's horns as the ship leaves Southampton is one of the strongest aphrodisiacs I know.

  6. You cannot have too much chocolate lava cake at one sitting. You can try, and suspect that you are coming close; but then the waiter will explain that it's time to set up the dining room for the next day's breakfast and graciously shoo you back to your cabin. Happily, you will then find that room service is only too delighted to send up a frozen chocolate bombe as a pre-bedtime digestif. They will even send two, so you can save one for morning.

  7. Regarding point 6, it's a good thing the ship has a gym and that I remembered my running shoes.

  8. If you go to Needlework Circle (every afternoon at 2 pm in the Champagne Bar), you will meet knitters, crocheters, embroiderers and quilters from eleven states and six countries. One of the knitters will turn out to be a colleague of your sister's, from the same tiny school district in rural Maine, and exclaim that "You're the uncle who made the christening shawl!"

  9. I could be a self-made multi-billionaire who only condescended to travel this week with Cunard because my own, larger bespoke liner is still being assembled in France. I could, in addition, be an internationally famous cover model with my own clothing and home accessories lines, a budding film career and a reputation as a humanitarian and philanthropist. I could, in addition, be in possession of so many advanced degrees that Oxford, Harvard and the Sorbonne were trying to come up with new fields of learning just to keep me occupied. And there would still be a couple of bitchy New York queens on the ship who would cut me dead because I live in Chicago instead of Manhattan.

  10. Watching a full-length Royal Opera House production of Carmen in high-definition 3D while you float across the ocean is cool, even if the soprano who sang Micaela was about as convincing as a 17-year-old blonde Navarraise virgin as I would be.

  11. Do not excitedly run to your balcony to photograph the whales without stopping to put on some clothes first, especially when your balcony is directly above the very crowded promenade deck.
Harry is editing his KnitNation videos, and Dolores has asked for space to exhibit her photos from the Victoria and Albert Museum, so mine won't be the last word on the trip. This is just a quick hello. I've missed you all–it's nice to be back in touch.

Tuesday, July 12, 2011

Whew.

Hi. I'm sitting at Logan Airport, in Boston, waiting for my flight to London for KnitNation. I saw on Facebook that Clara Parkes is getting ready to leave Dulles for the same, and I know other teachers are on the move as well. Most of us will hit Crumpetsville tomorrow.

I like the idea of mass migrations of knitters. More colorful than migrating wildebeest. Less liable to poop on your head than migrating birds. Far more pleasant than the roving swarms of locusts or beetles or whatever it is that has been eating the damn leaves in my flower bed. (Oy. Don't even ask, seriously.)

My schedule for the next three weeks may be summarized thus:
  1. Fly to London.
  2. Teach in London.
  3. Play in London.
  4. Leave London for Southampton.
  5. Leave Southampton for New York.
  6. Leave New York for Portland.
  7. Teach in Portland.
  8. Leave Portland for Chicago.
Packing took nine hours and six different lists, and I still left the apartment without my #@$%!* phone.

This will be a family event. Tom joins me for numbers 3 through 5; Dolores and Harry will be in attendance for the whole shebang.

(Shebang is, don't you think, an almost too-apt description of an undertaking in which Dolores becomes involved?)

Getting ready for all this has turned me into a terrible blogger, and I beg your indulgence. Will you think more kindly of me if I show you some actual knitting? No kidding, actual knitting. A whole shawl, in fact. I was going to wait until after this trip to post about it, but I can't stand it any more. It's been finished for yonks.

Tell you what, I'll show you some of the test photos; the pattern will be for sale via download come August. If you want to see it in person, I have it with me.

It's another in the series named for women in my family. This one's for my mother, so it'll be called Anna. Anna is Giovannina's daughter, Pauline's daughter-in-law and Sahar's mother.

Anna Shawl

The yarn is Cascade Heritage Silk, about which I do not believe there is yet enough happy screaming. I fell in love with it halfway through Swatch #1; and having completed one project in it I'm already in the mood for another.

Anna Shawl

This piece taught me something interesting, which is that you cannot sum up your mother in a couple of stitch motifs. Or at least I can't sum up my mother in a couple of stitch motifs. So there's less overt symbolism here than in, say, Pauline; and fewer outside references than in Giovannina.

While I was designing the lace patterns, I tried knitting Things That Spoke of Mother; and every time the results fell short. How could they not? A woman goes through very scary labor in order to bring you into the world, then spends decades dealing with your quirky child self and your weird teenage self and your annoying adult self. She never once complains, she never stops loving you. And then you turn around and say, "Hey, I put everything you are and have done into in this bunch of yarnovers that kind of looks like a flock of doves if you squint." Right.

In the end I set the whole idea of symbolism aside. I just played with the yarn until what was on the needles seemed to bear some kinship to my mother's spirit.

Anna Shawl

So almost every time I look at this shawl, I see different things. Once it was honeybees–very suitable for a mother who has uncomplainingly spent her life in near-constant motion, making things for other people. Another time, during the knitting, I realized that the little pair of yarn overs that pop up periodically reminded me of her eyes. Especially since they were all over the place. If there is anything that makes me think of my mother, it's all-seeing eyes. She was and is a modern Argus, only she's a hep chick from Detroit and she can dance better.

Anna Shawl

Mom, I hope you like it. In the end, I admit that I can't sum you up in one shawl. But what the heck. You know the truth. They're all dedicated to you, even when they don't have your name on them.

Monday, June 20, 2011

Giovannina

JennieThe series of lace designs I've been naming after beloved women in my family (it began with Sahar and continued with Pauline) has a new addition: Giovannina.

That was my maternal grandmother's given name, as recorded (to our collective surprise) on her birth and baptismal certificates. She never used it, and neither (so far as any of us recall) did her mother. She was called Jennie, and called herself Jennie, and signed my birthday checks (thank you, Grandma) Jennie.

She was born in the early 1930s in Detroit, Michigan, to parents who had immigrated from adjacent Sicilian towns but married (in a match arranged by their families) in the United States. On the day of their wedding my great-grandmother was a few days shy of 16.

Giovannina was the third of four children and the first of two daughters. She fell in love with a nice Sicilian boy from New York City and went on to have five children of her own - four daughters and a son.

The priceless image below was taken before my arrival in the 1970s, but it's a fair representation of how I remember her.

Grandma Jennie

The Christmas tree was in the front room of the house in St. Clair Shores, a suburb of Detroit. In the local patois this space was invariably referred to as the "frontroom"–one word. It was reserved for state occasions: Christmas morning, wedding photos, visits from clergy, official visits from my mother's gentlemen callers–including, eventually, my father.

When I think of my grandmother, I think of this room. She decorated it herself, and it was filled with her favorite things. When she wanted new furniture for it, she did the unspeakable for a good Italian wife in that time and place–she went out and got a job to pay for it.

The front room was a textbook example of what I affectionately call Dago Baroque. Imagine the crossing of St. Peter's in Rome, but with top-of-the-line seven-layer curtains from J.C. Penney and pale yellow deep-pile shag that never, ever has vacuum marks in it.

The gigantic furniture, including the console record player, was French Provincial upholstered in white damask under clear plastic. The wallpaper was gold foil with green flocking. You could see yourself in it. It remained absolutely pristine for decades until the never-to-be-forgotten morning when one of my cousins accidentally smacked it with a wet lollipop. Years later, Grandma still could not refer to this incident without turning red.

Bric-à-brac of the most elevated variety covered every horizontal surface. The customary painted miniature pony cart, of course; and a cabinet stuffed with a prized collection of porcelain angels and bells.

I now own two of the other major pieces: an 18-inch high Infant of Prague with a metal crown and a full seasonal wardrobe; and a hefty cut-glass candy dish on a marble base guarded by a pair of gilt cherubs. There was one other candy dish - a white marble urn with birds perched on the rim. The former held ribbon candy, the latter green and pink pillow mints. The stuff was so vile that sneaking it when the grown-ups weren't looking wasn't even worth the risk. When my grandmother died in the late 1990s, the candy in the dishes is believed to have been the same that was already installed when my mother was a bride in the late 1960s.

There were also, on pedestals, a pair of plaster statuettes of Italian peasants lugging huge baskets of velveteen grapes. My father was parked in an adjacent armchair chair near these on his formal visit, while my mother stirred pasta in the kitchen and presumably begged her parents to go easy on this one. After a while the eligible bachelor got bored and started shooting spitwads into one of the baskets. My mother caught him and happily was able to clear away the evidence before my grandmother could get wise and throw him into the street.

I loved my grandmother, and as a child I loved this room because it was so beautiful and brilliant and untouchable. I used to stand by the door and just stare across the threshold. On occasion, because I was such an odious little goody-goody, I was allowed to sit quietly on the sofa and just look at things. Just look, not touch. If I so much as extended a tentative finger toward the incredible cover of the Bible on the coffee table (with an inset reproduction of Leonardo's Madonna and Child with Saint Anne) she would shout from the laundry room in the basement, "I told you, don't touch!"*

I had an epiphany in that room. Not a pleasant one, either. My mother and I drove in for a visit. I was in my mid-twenties, and we were there specially to see my grandfather, who was ill with the condition that would eventually kill him. He had been moved from the bedroom to a hospital bed in the family room (a later addition, off the kitchen). My grandmother, unable to face her wedding bed without her groom...had taken to sleeping on the Sacred White Couch in the front room. While we were there, she ceded that space to me. The plastic furniture covers were gone. There were clothes thrown in a corner near the glass cabinet, and bottles of pills scattered on the coffee table by the candy dish.

I was shocked. It was the first time that I realized that certain people and things you thought would always be there, unchanging–Grandpa, Grandma, Grandma's sitting room–are not as eternal as you would wish. It was the moment I first understood, viscerally, that nothing is forever.

I can't claim that I consciously intended it, but when I started working with the lovely Filigran (100% merino superwash) that Skacel sent to me with a request for a lace design, these memories of my grandmother manifested in the square motif that became the main element in the stole. It's ornate, but orderly.

Giovannina

I hope she would have liked it, though she was not one for wearing shawls. (She did like drapey flowy gowns, though, and bought one or two each year for my grandfather's annual convention in Las Vegas.)

Giovannina

The construction's a bit unusual, by the way. I took inspiration from the eminently sensible technique of the Orenberg lace knitters–who work their shawls in one piece, center and edging simultaneously. The method for turning the corners is different, but the end is the same: when the shawl is finished, it's finished. You have a center completely surrounded by a lacy edge, with nothing else to do but wear it.

Giovannina

Skacel wholesales their pattern collection to yarn retailers everywhere, so if you'd like a copy, contact your LYS. If you run (or know of) a shop that's got Giovannina in stock, please feel to speak up in the comments. If you'd like to ask your shop to place an order, the pattern number is 21100405.

Giovannina

*My mother has inherited this supernatural ability to see through solid surfaces, as well as the skill to effortlessly stun small children with it.

Tuesday, May 31, 2011

Let's Pretend Flowers are Almost the Same as Knitting

This Part Doesn't Really Have Much In It About Knitting

So I went out to Guthrie, Oklahoma for the annual Sealed with a Kiss Knit Out. It was the first time I'd done anything in Oklahoma other than spend a night in a hotel during a drive to Santa Fe, and it's not fair to make a decision about any place based on the quality of your stay at a Hilton Garden Inn.

I had a blast. In writing about Oklahoma, Mr. Hammerstein got it surprisingly right for a New Yorker–there was indeed a bright golden haze on the meadow every morning; and I saw a hawk making lazy circles in the sky. I awoke to the cry of a lonesome train whistle, and that would have been extremely Johnny Cash except I was sleeping in a canopy bed covered with blue roses.

The knitters were good-hearted in the extreme (a future post will be devoted to a piece of stunning generosity–I haven't yet been able to photograph the gift properly). The event itself is so awash in charm, I didn't wonder that students had come from far afield (and my fellow teachers, the redoubtable Fiona Ellis and Jane Thornley, had come all the way from flippin' Canada).

Guthrie, which you should visit, is about the size of the frozen foods section of our Costco. It consists in the main of gloriously untouched High Victorian buildings standing cheek-by-jowl, with occasional outcroppings of Art Deco. There's a historic theater (the kind with live actors and footlights), a truly splendid yarn shop (see Sealed with a Kiss, above), art galleries, good restaurants and so many, many, many antique shops.

We have antique shops in Chicago, but I usually can't afford to look in the windows. For example, once I noticed in passing by a store in Ravenswood that they had a bag of old wooden clothespins for sale. They were the kind with no spring that I remember my grandmother keeping in a big old chip basket, handy to the washing machine. They were nicely weathered, and I thought they'd be useful for photographs, so I went inside and asked the price.

It was $35.00 per dozen. That's $2.1966666 per pin. The saleswoman explained that they were eco-friendly and upcycled, and that hanging out your wash is the new In Thing for the local yuppified supermoms–apparently it offsets the carbon they generate while driving their kids three blocks to school in a Range Rover. Rustic "vintage" clothespins are sine qua non for the fashionable wash line.

Guthrie is far more reasonably priced, not to mention blessedly free of yuppified supermoms; and on one afternoon plus two lunch breaks plus a quick dash in early evening I...um...well, I bought some stuff.

Including thimbles. It seems I have kind of a problem with buying thimbles. Well, no. I have no problem with buying thimbles, I have a problem with not buying thimbles, at least when they're as cheap as they are in Guthrie.

I'm not gaga for all thimbles, mind you. I don't care a fig for the twee pewter souvenir variety that could never be used to sew because they were designed to sit on a rack and remind you of your crazy party weekend in Yucca Flats.

The thimbles I like could be used for sewing, if you (okay, me) could fit your stubby manfingers (okay, my stubby manfingers) into them. They're old, and slightly battered, and often offer charming suggestions like "Make It Yourself with Wool."

Thimbles

And yes, fine, along with that one and the bridal thimble from Royal Worcester, and the advertising thimbles from Newsom's Flowers of Marion, Kansas and Glass Portrait Studio, there is a souvenir thimble from Mesa Verde. I'm hoping it will give visitors the impression that I once had a crazy party weekend in Mesa Verde, because my reputation could use a dash of daring.

The only thing difficult about shopping in Guthrie was that I was making the rounds on the eve of the Rapture, and the little old ladies at the cash desks kept wishing me "a blessed day." I'd stand there holding my two dollars and wondering, "Are you saved? Because if you are, I'm just going to come back the day after tomorrow and pick this out of the rubble."

This Part Has Even Less in It About Knitting

I wish I could show you what I'm knitting right now, but everything is either for a client and therefore top secret, or it's my niece's not-a-pink-poncho and still bunched up on a circular needle and therefore unphotographable. However, I fully expect the pink thing to be unfurled in a week or so–we're nearing the end of the third version of the cape. There's also a new design for Skacel, of which I am immensely proud. Pictures forthcoming.

In the meantime, I have flowers. If you don't care for flowers, you can go back to planning your Disney vacation or reading Justin Bieber slash fiction or whatever.

I took a head count a week ago and realized that in the two main flower beds I have to play with, which together measure a whopping sixteen square feet, I have 14 herbaceous perennial species represented in a total of something like 34 specimens. This is the antithesis of the American suburban gardens of my childhood, which considered three gaudy Burpee marigolds in a line near the front door to be overdoing it.

Among the plants currently doing their thing, and doing it well, we have Dicentra spectabilis "Alba," a white clone of one of my favorite plants, commonly known as Bleeding Heart.

dspectabilis

And there's also an Aquilegia, or Columbine–new for this year–which is obliging me with a second round of blooms. It's my first Columbine, and what the gardening books don't warn you about is that once you have one, you'll find yourself wanting more. They're like thimbles that way. I will for the present confine myself to hoping it sets seed .

columbine

And not yet in bloom, but getting there, is another new acquisition: Alchemilla mollis, or Lady's Mantle. The leaves are shaped like inverted umbrellas (which I, as a Chicagoan, know all too well) and are covered in tiny hairs. The hairs catch the dew in the morning and the entire plant sparkles like a dress covered in crystal beads.*

The first spikes, which will be covered in chartreuse flowers, are just emerging.

amollis

Yes, I know it's not knitting. But aren't they pretty?

* Hence the name, or so I've read. Alchemists believed the water collected by the leaves was purified, and therefore suitable for alchemical experiments.

Friday, May 20, 2011

Proof That Knitting Makes You Smarter, Even If You're Me

Hi, kids. I'm sitting at O'Hare airport, waiting for a flight to Oklahoma. I'll be teaching this weekend at the Sealed With a Kiss Knit Out 2011 in Guthrie, in the exalted company of Fiona Ellis and Jane Thornley.

I only just got home from my last trip–a joyful co-production of Boston's Common Cod Fiber Guild and Mind's Eye Yarn in Cambridge. The first event was a talk at M.I.T., in a terribly swish lecture hall designed with verve aplenty by Frank Gehry. We arrived to find the place crawling with equations. It looked like Einstein had inhaled too much chalkdust and sneezed violently across all twelve blackboards.

I had a few minutes of downtime before curtain, so I put on my thinking cap and got to work finishing what the class had started. Piece o' cake. Add a couple yos, balance with a few k2togs, start and end with asterisks to indicate the repeat and now you have a theory of velocity (or electricity, or gravity, or energy, or something) that also makes a really cute lace capelet.

A Little Talk at MIT

Hearty thanks to Patience for sharing her photograph with me. I hope the nastypants meanie meanie teacher who made me cry over long division in fourth grade in front of the entire class runs across this post and has a stroke.

Sunday, May 08, 2011

Incident at Westminster

“So,” I said. “How was the wedding?”

Dolores lifted herself off the sofa just enough to fling a wine glass at my head, but jet lag had sapped the oomph from her pitching arm. The remains of that morning’s indifferent breakfast Cabernet fell short by half and landed on the rug.

“Meh,” she said, and passed out again.

“She’s cranky,” said Harry.

He was sitting on the table, scissors and glue at the ready, preparing to paste souvenirs and photographs into his scrapbook. His copy of the Official Programme, which he’s been carrying with him everywhere, was propped against the toaster.

“Looks like you had a lot of fun,” I said, picking up a napkin on which someone had scribbled a snippet of music with a lyric. “Is this from Elton John?”

“Yup,” said Harry. “He’s so nice. We were near each other at the Abbey and when I started to cry because everything was so pretty he hugged me and I said I’m a good bloke, and he cried, too. Then at the party we were talking and he said I made him think of a whole new song and he wrote down the first part for me.”

“Is seems to me,” I read, “you lived your life like a sock yarn in the wind.”

“He must know what Chicago weather is like,” said Harry, “because I sure do.”

“And where are the leaves from?”

“The big one came off a tree in Kew Gardens. You aren’t allowed to pick stuff but it was on the ground already so I figured it was cool. The little one fell off one of the trees in the Abbey when Dolores–well, you know.”

Oh, yeah. I knew. You’ve probably heard already, or seen the leaked video clips on TMZ, but in case you’ve been otherwise engaged here are the details.

It was evident from the wording of Harry’s invitation that Dolores remained persona non grata with the palace crowd, thanks to her impromptu audience with the Queen’s dogs at Windsor Castle. She did not take the snub gracefully. After a hatchet-faced goon from the CIA turned up at our door to ask about unsettling e-mails that had been sent to Kate Middleton from our computer, I revoked her Internet privileges for a month.

To her credit, Dolores spent the duration of her punishment making amends. She watched news bulletins about the wedding preparations without throwing cocktail nuts at the screen. She took Harry down to one of the fancy tailors in the Loop to have his royal ball band fitted. She helped him bake and pack eleven dozen snickerdoodles for the royal cookie table. She confirmed and re-confirmed his reservations at the International Yarn Hostel in Wapping. And as I was up to my Gandalfian eyebrows in deadlines, she offered to escort him to the airport.

Right. I know what you’re thinking. You might have spoken up at the time. But you didn’t, did you? No, you did not.

Dolores was terribly worried about Harry’s navigating O’Hare Airport all by himself, so she secured a pass from the ticket agent that allowed her to usher him through security and into his seat without incident. She then attempted to leave the aircraft, whereupon she tripped, fell and became wedged beneath a vacant seat in First Class. Alas, she was unable to extricate herself until the flight was somewhere over Iceland.

The crew did not eject her immediately (that would have been unfair to Iceland), but the captain made it clear that she would be sent back to Chicago on the next flight from London. A few hours later, as the captain was visiting the loo, Dolores busted in on him to plead for clemency. She emerged with a highly personal narrative the captain does not wish to have shared with the media, plus enough Frequent Flyer miles for a round-trip ticket to Rio.

In the days leading up to the wedding, Harry made friends with some lovely Australian and German yarns from the hostel. They visited Kew Gardens,

Kew Gardens


took in a couple of shows, got lost on the Underground–the things one does when one is young and free and superwash in London.

Dolores, meanwhile, did a good deal of shopping because she hadn’t planned on traveling and therefore had only a week’s worth of clothing, her passport and her make-up kit.

Harry said that on Friday morning you could feel the crackle of excitement in the London air. Or it might have been radiation from all the surveillance equipment. Anyhow, he was up at dawn and rolled out the door on his way to the Abbey. He had expected Dolores to tag along and try her hoof at getting past royal security (practice makes perfect), but she hadn’t come home the night before.

“I never saw anything like the crowds on the way to the church,” Harry told me. “They had little flags and champagne and funny hats and it was sort of like Gay Pride Day except way bigger and Englisher and most of the guys had shirts on.”

Harry presented his credentials at the door and was warmly welcomed, though he says getting to his seat was exhausting and perilous. “It’s a long building. And that creepy lady who married the famous soccer player tried to step on me when I got in her way. But I got a space near the front so I could see pretty well.”

Everything went off without a hitch. Almost. I’ll let Harry give you his version of what happened next.

“Seriously It really was like a fairy tale,” said Harry. “There was the prince and Cinderella and I even thought they had paid two ladies to be the wicked stepsisters but then I found out they were princesses, too. Weird, right? So the choir started to sing and it was amazing like angels and I sang too, because they put all the words in the booklet, and then the tree I was sitting near shook a little and some leaves fell down. And I thought oh it’s the wind, but then I remembered we were inside and there’s no wind unless somebody left the window open, but when I looked around I didn’t see any open windows, and then I looked up in the tree and I saw Dolores’s butt.”

Yes. You remember the trees? The beautiful estate trees that decorated the aisle?

Someone in a Tree

How did she get up there, you might well ask. Probably best to let Dolores handle this part of the narrative herself.

"It was almost too freaking easy,” she said. “I happened to be doing some sightseeing in the neighborhood the day before, and along comes this truck with the Hundred Acre Wood on top. So I ask somebody who looks official, what’s with the greenery? He says, all confidential-like, ‘I’m sure I can’t say, miss, but perhaps it might 'ave something to do with the big do tomorrow, eh?’ And he winks at me. Big winkers, the English.”

“Did you say...winkers?”

“Yeah, winkers.”

“Oh, good.”

“What did you think I said?”

“Never mind. Continue.”

“Right. So at that moment the whole gorgeous plan just popped fully-formed into my head. I knew what I had to do. I went over to where they were unloading the trees and I said, in my best la-dee-dah Lady Bracknell voice, ‘To whom, please, do I speak about my role in the décor?’

It took some bleating but I finally got some guy with clout to listen, and I told him I was sent by that Campaign for Wool that Prince Charles is so hot about, and he wanted me to be part of the modest green recyclable country-type outfittings as a surprise to the happy couple.”

“And he bought that?”

“Not at first. He looks me up and down and says, ‘Are you sure you’re British?’ in that hoity-toity way they do. And I said, ‘Yes, quite.’ And he said, ‘Well, what breed are you then?’ and I said Blue-Faced Leicester. And he said, ‘Then ’ow come you ’aven’t got a blue face?’ and I said, ‘Because it’s very warm in here.’

“Then I showed him the hat I picked up that day at Philip Treacy, and I said what would I, an ’umble English sheep, be doing with a hat like that if I wasn’t gonna be at the royal wedding? So finally he let me in, and I kicked back in one of the little chapels until they were finished unloading and nobody was looking. Then I shinnied up the nearest tree and got comfy.”

“And that’s where you were when Harry saw you?”

“Well, yeah. See, I was still pretty jet-lagged and fell asleep up there and when they struck up the band it scared the living shit out of me and I lost my balance. I slipped a little off the branch, but kept hanging on for dear life until the show was on the road. I didn’t want to cause a scene or anything.”

“Of course you didn’t.”

“Naw, I have too much class for that. But once they were all up front and everybody’s eyes were glued to the bride’s face and her sister’s ass I figured I could let myself down the trunk really slowly, and then just blend in with the crowd.”

“Uh huh.”

“But my hat got knocked sideways, so I grabbed for it and that’s when I fell out of the tree.”

“And landed on the Archbishop of Wales.”

“And landed on the Archbishop of Wales, yeah. That pointy hat hurt like a mofo.”

It speaks to the efficiency and steel resolve of the security staff, as well as the ready availability of chloroform in the UK, that Dolores was removed from the Archbishop’s hat, and then from the Abbey, with such speed and tact that the event barely registered with the other guests and the ceremony proceeded without a hitch.

While Dolores slept off the rest of the day under guard, Harry headed off to Buckingham Palace for the wedding breakfast and the parties that followed. “I was afraid it would take me forever to get there,” he said. “But when the Queen was going by I waved and said, ‘Hi, Queen!’ and she smiled and picked me right up and carried me down the aisle and outside!”

After the Ceremony

“And then she said she had to stop and powder her nose before they left so she gave me to one of the princesses and she took me the rest of the way.”

Ride in a Hat

I was watching, groggily, from home. But I woke up the neighbors when the wedding party emerged to wave from the balcony.

Wave to the People

Harry boogied until dawn at Buckingham Palace with the young royals, carefully avoiding any further engagement with the resident Corgis. He was, in fact, the last guest to leave.

“I think I had too much chocolate milk,” he said, “because I came over all fuzzy and then I guess I fell asleep on a chair and they didn’t find me until they were cleaning up. And when they saw the Queen’s initials on my ball band they handed me over to somebody who handed me over to somebody who handed me over to somebody else and then before I knew it I was sitting there with the Queen and she was having breakfast and looking at the newspapers and she asked if I was busy and I said no and she asked me to come have a look at her horses. She likes horses.”

“So I’ve heard.”

“And while we were giving the horses some carrots and sugar I apologized for Dolores falling out out of the tree and landing on the Archbishop and I told her I would make sure Dolores behaves herself when we go to London for Knit Nation.”

“And what did she say to that?”

“She said for such a little ball of yarn I have very big dreams.”

“Her Majesty is very perceptive.”

“Righty-ho,” said Harry.